Part 1. Alec Wilder and Harry Bouras discuss Wilder's book "American popular songs", published in 1972.

Part 2. Alec Wilder and Harry Bouras discuss Wilder's book "American popular songs", published in 1972.

Part 3. Alec Wilder and Harry Bouras discuss Wilder's book "American popular songs", published in 1972.

Music performance by Oscar Brown, Jr.

Studs interviews Erik Bye about Norwegian immigration to America and his music. They discuss the reasons why people left Norway in the 19th century and the conditions they suffered when they settled in New York. Bye explains Norwegian history and why the Norwegians moved from the American east coast to the west. Studs notes that Bye is in Chicago to gather information to produce a Norwegian television documentary about early Norwegian immigrants. Bye shares his interpretations of some of his songs and explains Norwegian music.

Presenting music with jazz pianist Barbara Carroll.

This interview features singer and actress Carol Channing which discusses: the film "Shinbone Alley"; production of "Lorelei"; her grandmother; and her career. It begins with a musical excerpt from the animated movie "Shinbone Alley" featuring Channing singing as the alley cat Mehitabel. It also includes excerpts from the Broadway production called "Lorelei", examples of her character acting/comedy (as Cecilia Sisson), her reading of "Madeline and other Bemelmans", and a portion of the song "So Long Dearie" from the play "Hello, Dolly!".

Studs interviews Harry Chapin about his music and career. They discuss Chapin’s style of writing songs. Chapin describes some of his songs such as “Cats In the Cradle,” “Sniper,” “WOLD,” and “Mr. Tanner.” He stresses that his songs tell stories and often are influenced by real-life events. For example, “30,000 Bananas Pounds of Bananas” came from a trip he took on a Greyhound bus through Pennsylvania where there was a truck accident.

Presenting music soprano Elsa Charleston and pianist Abraham Stokman.

Studs interviews Abraham Chasins about his book, “Leopold Stokowski: A Profile.” They discuss Stokowski’s life in great detail as they discuss different parts of the book. Chasins describes the amazing career and life of Stokowsky who revolutionized the symphony orchestra. Studs reads a few excerpts from the book. Chasins shares some background behind some of the stories from his book. Studs and Chasins discuss the various orchestras Stokowsky worked with. Chasins notes that Stokowski taught his audience how to behave and never used a baton when he conducted.