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Changing up the conversation, Win Stracke talks about artists he's admired like Bill Broonzy and Jim Post. According to Stracke, although Broonzy was a blues musician, he liked humor found in songs. Stracke said he really liked Jim Post, who singled out people who were the best at what they did. As a result, Post asked Stracke to record an album of hymns with him.
Songs, music and lyrics are among the topics of Win Stracke's interview. Stracke believed folk songs had a morality all their own. He also explained that songs have a way of recapturing the feeling(s) of an event that the printed work can not convey.
Willard Van Dyke, cinematographer and co-director of documentaries like "The City" and "The River," talks about 20th century American history and how it effected the arts. Using his documentaries and other artists' work, he explores how the Great Depression, World War II, and the Cold War changed American art and culture. He discusses Public Works of Art, war propaganda, and McCarthyism and their challenges for artists. Near the end of this interview, Van Dyke discusses the changes in modern still photography and documentaries as Americans forget history.
Interviewing the cast of the musical revue "Suburbs of Heaven," songwriter Thom Bishop, singers Marty Peifer and Megon McDonough. Songs include "Mr. Arthur's Place," "Why Not Talk to Me?" "The Telephone Song," "Just Because You Didn't See Me," "Suburbs of Heaven," "Times I Tried to Love You," "Amateur Night/New Year's Eve," and "Somebody Feels the Water."
Tervalan Porche discusses creole music, language and culture in which she is an exponent as a singer. The interview starts abruptly which we can deduce that the first part of the introduction was not recorded. This recording has copyrighted material removed.
While reminiscing about their 46-year friendship, Studs Terkel presents of retrospective of Win Stracke's work. Stracke said he was surprised that Studs hadn't outgrown their friendship. A few excerpts from past interviews are included in this interview.
Sweet Honey In The Rock, an African American female vocal group, discusses their music. They talk to Studs and play folk/blues/traditional music.
Studs Terkel travels to a Yurt shepherd's farm commune to hear the old song ballad of a Mongolian hero. It concerns a slave uprising from 200 years ago and shows the unity of the Mongolian people. Terkel compares this music to the Hungarian legacy before moving to the School of Story Telling and School of Music and Story Telling in the capital of Inner Mongolia, Hohhot. We are introduced to the four string hu that played Homeric ballads of drinking songs that could last four days.
Terkel presents an Easter program. Songs include "Lord of the Dance/Simple Gifts" sung by Bill Crofut and Benjamin Luxon; "Plenty Good Room" sung by Roland Hayes; "Vidé" a carnival song of Martinique; "Wondrous Love" sung by Ed McCurdy; "The Cuckoo" sung by Burr Tillstrom as Kukla; "The Cuckoo's Nest" sung by Jimmy MacBeath; "The Cuckoo" sung by Jean Ritchie; "Gloria," Malaga Flemenco song; "Old Blind Barnabus" sung by Golden Gate Quartet; and Bach's "St.
Studs Terkel interviews Canadian singer-songwriter Buffy Sainte-Marie.
Studs Terkel comments on folk music entertainers Stever Goodman and John Prine. He discusses a little about their life and names a variety of their song titles. The musical performances have been erased from this edited version of the recording. Includes an excerpt from a previous interview with John Prine who speaks about his grandfather and a song he wrote about him.
Studs engages the former Chicago Symphony Orchestra conductor, Sir Georg Solti, in a wide-ranging conversation about his life and career. From his early studies in Budapest with Béla Bartók, his string of good-luck opportunities before, during, and after World War II, meeting Toscanini in Lucerne, and starting on top conducting in Frankfurt, London, and finally Chicago. He discusses his many German and European musical influences and contemporaries, and stresses the importance of education, arts funding, and hard work.
Known for their songs about the working class, both Florence Reece and Pete Seeger talk about how they come about writing the lyrics to songs. Seeger says unbeknownst to them, anyone can write a song. Included within this interview, Seeger plays the banjo and Reece sings a song.
Shel Silverstein discusses his books and children's literature, and art. Shel Silverstein discusses his contemporaries, art, and life experiences.