Studs Terkel interviews and discusses the history and cultural significance of folk music with Doc Watson. Topics include Watson's personal history and biography, the origins of some of the songs he sings, sacred music.

Studs Terkel interviews Doc Watson about his music career. The interview includes recordings and live sections of different songs that have shaped his career.

Peter Yarrow, Paul Stookey and Mary Travers talk with Studs about the forming of the Folk singing group Peter, Paul and Mary. They perform their music throughout the interview.

Peter Yarrow, Paul Stookey and Mary Travers talk with Studs about the forming of the Folk singing group Peter, Paul and Mary and their first year together. They perform their music throughout the interview. Song: "The Shape of Things to Come," Winn, John--ends: 00:08:42 Begins 00:08:50 (recording change).

Studs engages the former Chicago Symphony Orchestra conductor, Sir Georg Solti, in a wide-ranging conversation about his life and career. From his early studies in Budapest with Béla Bartók, his string of good-luck opportunities before, during, and after World War II, meeting Toscanini in Lucerne, and starting on top conducting in Frankfurt, London, and finally Chicago. He discusses his many German and European musical influences and contemporaries, and stresses the importance of education, arts funding, and hard work.

Interviewing folk singer Win Stracke about "Songs of man."

Interviewing folk singer Win Stracke about "Songs of man."

Studs interviews Harry Chapin about his music and career. They discuss Chapin’s style of writing songs. Chapin describes some of his songs such as “Cats In the Cradle,” “Sniper,” “WOLD,” and “Mr. Tanner.” He stresses that his songs tell stories and often are influenced by real-life events. For example, “30,000 Bananas Pounds of Bananas” came from a trip he took on a Greyhound bus through Pennsylvania where there was a truck accident.

Studs interviews Bill Crofut about his career. They discuss Crofut’s recording label, “Cousin Jacks” and his album with Benjamin Luxon, “Simple Gifts.” Crofut shares his experiences working with various musicians and describes some of his songs. He reflects on his work with the Natalie Wood film, “Brainstorm.” Crofut sings part of the “Grandfather’s Clock” and an unnamed children’s song. The music is removed from this edited version of the original recording.

Terkel presents an Easter program. Songs include "Lord of the Dance/Simple Gifts" sung by Bill Crofut and Benjamin Luxon; "Plenty Good Room" sung by Roland Hayes; "Vidé" a carnival song of Martinique; "Wondrous Love" sung by Ed McCurdy; "The Cuckoo" sung by Burr Tillstrom as Kukla; "The Cuckoo's Nest" sung by Jimmy MacBeath; "The Cuckoo" sung by Jean Ritchie; "Gloria," Malaga Flemenco song; "Old Blind Barnabus" sung by Golden Gate Quartet; and Bach's "St.