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The owner of the pool hall, Henry Chase, talks about how he was once a fisherman with 18 boats. With only a 6th grade education, Chase went straight into working at the mines and then into fishing. Chase explained it would be impossible to make a living from the Ohio river with fishing now. The 19-year-old man said he was a set-up man in a factory and he hoped to become an electrician one day. He explained that he's heard both good and bad things about Henry Chase.
Ironworker and writer Mike Cherry discusses his book, "On High Steel: The Education of an Ironworker."
While in London, England, Studs Terkel interviews George Curry, a newspaper vendor with a storefront in a hotel. The two discussed Curry’s hometown of Dundee, Scotland and its politics, in addition to London’s current political atmosphere. They also talk about Curry’s political leanings; he is a socialist, and he criticizes England’s immigration policies. Curry comments on his interest in the arts and speaks on stereotypes surrounding the working class. The interview is interrupted intermittently by customers buying their morning paper.
Hoagy B. Carmichael discusses his father and legendary jazz musician, Hoagy Carmichael. He also explores his work as a music producer, author, bamboo fly rod builder, and manager of his father’s music. Includes a test tone that lasts 25 seconds. music.
Harry Jackson discusses his career as a singer, painter, and sculptor and the inspiration he took from fellow contemporaries and Italian sculpture. Between 10:00 and 11:00, Jackson remarks that Mary Wright "from the south fork of the Shoshone River" is in the studio with them.
Academy Award winning documentarian Barbara Kopple talks with Studs about her documentary "American Dream" and the battle fought and lost by union workers in Austin, Minnesota during the mid-80s. They set the backdrop in the small, tight-knit community that Hormel Foods had such a profound impact on, how the UFCW international union declined to support the local union, the gripping dynamics between family members who crossed picket lines, and the healing that occurred when the film was screened in the town several years later.
Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. Verna Bloom continues to talk about how scared she was when being arrested. Bloom said she was hand-cuffed for an hour. One of Bloom's friends was able to smooth things over with the police and she was finally released.