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Maroussia Frank analyzes Paul Scofield's performance as King Lear in the theater production as well as life in a theater company and her experiences as a member and a wife of a member.
Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. In conclusion, Marlon Brando added that his being a famous actor posed an ugly and difficult burden to his son.
Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. In a surprising twist, Marlon Brando asks Studs Terkel why he is so obsessed with asking people so many questions and Terkel’s reply was curiosity.
Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. Self-righteousness and values are topics covered by Marlon Brando. Here in the states, Brando said, we are living a dream. We do not want strife in our lives, and yet he says it seems as though we seek it.
Author and journalist Mark Singer discusses and reads from his book “Funny Money.” This book, and interview, documents the events of the Penn Square Bank failure. Studs plays "Easy Come, Easy Go" - Johnny Green and His Orchestra (1934) and "Patriotic Diggers" - John Allison (ca. 1800).
Studs Terkel and American lawyer Mark Lane dive into Lane’s best-selling book, “Rush to Judgement,” which is a critique of the Warren Commission’s methods and findings, based on Lane’s own investigations and research. He discusses his struggle to publish the book, after several cancelled contracts with publishers, and critical reviews the book received, which he believes are weakly based. This interview includes interviews with three witnesses of JFK’s assassination, collected by Lane during his investigations.
Discussing the book "The Massacre at El Mozote: a Parable of the Cold War" (published by Vintage Press) with the author, journalist Mark Danner.
Marjorie Kellogg writer and social worker discusses her second novel "Like The Lions Tooth". The discussion begins with a reading of the first stanza of a poem by W.B. Yeats "Crazy Jane Grown Old Looks at the Dancers". Studs and Marjorie Kellogg both read excerpts from her novel "Like the Lions Tooth", as they discuss the book.
Marjorie Guthie, the widow of folk singer of Woody Guthrie is in town for a fundraiser, raising money for Huntington's disease. Woody Guthrie died of the disease, which was passed down from his mother. Marjorie Guthrie also reflects on her courtship with Woody and she also talks about his music.
Marion Clark and Rudy Maxa, investigative journalists, discuss their book, "Public Trust, Private Lust: Sex, Power, and Corruption on Capitol Hill." The two recall how Elizabeth Ray contacted them about an affair she was having with U.S. Representative Wayne Hays, who was using taxpayer's money to pay her. The journalists also discuss Koreagate and other corruptions going on in Washington D.C. in the 1970s.
Marilyn Horne talks about her music career and her upcoming perfomance in "Rinaldo" at the Chicago Opera Theater
Marilyn Horne and Henry Lewis discuss their careers, opera music, and their operatic roles. They also discuss cross-gender roles in opera and Marilyn Horne's role as Romeo in the opera "Capuleti e i Montecchi" by Vincenzo Bellini. Includes clips of Marilyn Horne singing an opera song at the beginning, an opera song by Gioachino Rossini, and a song from Charles Gounod's opera "Sapho."*Please note: some sections have been edited out from the original recording due to copyright considerations
Marilyn Horne and Henry Lewis discuss their careers, roles, and opera. Includes Marilyn Horne singing a song from Ludwig von Beethoven's "Fidelio".
Marie Cardinal discusses her book "The Words To Say It: An Autobiographical Novel" with the publisher and translator of the book, Pat Goodheart. This novel explores childhood trauma, mental health, menstrual problems, and a complex mother-daughter relationship. The primary focus of this novel is to recount how psychoanalysis served as a healing experience for Cardinal later in life.