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Anna Deavere Smith discusses and demonstrates her unique character portrayals from her works "Fires in the Mirror" and "Twilight: Los Angeles, 1992."
Erica Jong discusses the paperback release of "Fear of Flying," reading excerpts as well as several of her poems from her previous collections, "Half-Lives," and "Fruits and Vegetables."
Part 1 of celebrated fim critic Pauline Kael discussing her book "Kiss Kiss Bang Bang" as well as business versus creativity, struggles of young filmmakers, humiliations of older actors competing for limited roles, and limiting movies to fit on television screens.
Part 2 of celebrated fim critic Pauline Kael discussing her book "Kiss Kiss Bang Bang" as well as Laurence Olivier, Sidney Poitier, safe roles, older actors, distortion of women's contributions, and Lillian Hellman's frustrations.
Discussing the film "Silkwood" a movie about Karen Silkwood and the circumstances surrounding her death with movie producer Buzz Hirsch.
Film critics Molly Haskell and Andrew Sarris offer their opinions on various films. Some time is spent covering how films have stereotyped women. In these films, women can not survive without a man in her life. Sarris explains he knew stupid people previously made stupid films. It saddens him to know that intelligent people of today are making stupid films. An excerpt of an interview with Buster Keaton is included.
Academy Award winning documentarian Barbara Kopple talks with Studs about her documentary "American Dream" and the battle fought and lost by union workers in Austin, Minnesota during the mid-80s. They set the backdrop in the small, tight-knit community that Hormel Foods had such a profound impact on, how the UFCW international union declined to support the local union, the gripping dynamics between family members who crossed picket lines, and the healing that occurred when the film was screened in the town several years later.
Interviewing producer, director and screenwriter Jean Bach about her Oscar-nominated documentary "A Great Day in Harlem".
Now being a professional playwright, William Gibson talked about being able to write one of his plays in 8 days. A lot of the discussion is about his play, "The Miracle Worker". After reading one of Annie Sullivan's letters, and learning about a battle royale that Sullivan had with Helen Keller, Gibson envisioned what that battle royale would look like. It became a now famous part of the play.