Peter Ustinov discusses his wide-ranging career in the arts as an actor, author, director, and dramatist.

Studs Terkel discusses the upcoming new play "Of Mice and Men", based on the novel written by John Steinbeck with the starring actors, John Malkovich (Lennie) and Gary Sinise (George). The program begins with the opening excerpt from the play "Of Mice and Men" featuring Terkel (George) and Win Stracke (Lennie) from 1952, which then leads into Malkovich and Sinise's interpretation of the rest of the scene. Folk singer Utah Phillips song "On the Goodnight Loving Trail" is presented as a comparison to themes expressed in "Of Mice and Men".

Studs Terkel interviews Birgit Nilsson during her time playing Leonore in Fidelio.

Nick Rudall talks about directing his 7th play by George Bernard Shaw. Three cast members, Daria Martel, Tom Amandes and David New are part of the interview, too. The actors reenact various scenes of the play. Rudall explains Shaw wrote "Candida" as a way to sort through his complicated feelings with a woman.

Interviewing members of the Geese Theatre Company; Mike Bail, Jill Reiner, Tom Swift, and Artistic Director John Bergman. The Geese Theatre Company specializes in drama therapy in prisons, for correctional staff, and for sexual and violent offenders.

Studs Terkel continues to interview actress and singer Eartha Kitt. Part 2 of the interview begins with the song "Üsküdara", and ends with "Mountain High, Valley Low", both sung by Kitt. Kitt discusses the following; her career; her desire to entertain; her autobiography, "Thursday's Child"; her mothers death; the art of interacting with the audience; the femme fatale; her time with the Katherine Dunham Dancers; and her portrayl of Helen of Troy.

Interviewing the cast of the musical revue "Suburbs of Heaven," songwriter Thom Bishop, singers Marty Peifer and Megon McDonough. Songs include "Mr. Arthur's Place," "Why Not Talk to Me?" "The Telephone Song," "Just Because You Didn't See Me," "Suburbs of Heaven," "Times I Tried to Love You," "Amateur Night/New Year's Eve," and "Somebody Feels the Water."

When he was a child, Dudley Moore first wanted to study the violin. He's grateful to his mother for insisting that he first study the piano. Moore said his influences include Bach and Garner. Unlike other musicians, Moore's main focus has always been on the beat, both the cultivation and the presence of the beat of a song and of music.

Discussing productions of her plays "Path of Ashes" and "Maid's Play," with playwright and director Nicole Dreiske.

Discussing "Book of Lear," with director and playwright Nicole Dreiske.