Film director Martin Scorsese and screenwriter Paul Schrader discuss their movie “Taxi Driver,” including interview from 9:04 - 9:49 of Scorsese discussing the character, Johnny Boy, from his film "Mean Streets."

Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. Resuming the conversation with regards to his book, "Additional Dialogue: Letters of Dalton Trumbo, 1942-1962," Dalton Trumbo now talks about his time after being in prison for 10 months.

Independent film director, writer, and producer Gary W. DeWalt discusses the film “Genbaku-Shi: Killed by the Atomic Bomb” and the U.S. citizens who died along with the Japanese in Hiroshima. Corky Siegel performs "Southwest Coast Blues (1980)" in the studio.

Discussing the film "Silkwood" a movie about Karen Silkwood and the circumstances surrounding her death with movie producer Buzz Hirsch.

Willard Van Dyke, cinematographer and co-director of documentaries like "The City" and "The River," talks about 20th century American history and how it effected the arts. Using his documentaries and other artists' work, he explores how the Great Depression, World War II, and the Cold War changed American art and culture. He discusses Public Works of Art, war propaganda, and McCarthyism and their challenges for artists. Near the end of this interview, Van Dyke discusses the changes in modern still photography and documentaries as Americans forget history.

Discussing the movie "Return of the Secaucus seven" with Maggie Renzi and John Sayles.

Actor and director Sidney Poitier offers his reflections about his autobiographical memoir, "This Life". Poitier explains how he never had ambitions to be an actor and yet he stumbled into acting when looking through the clasisfied ads. There's a story about his agent trying to settle a negotiation on Poitier's behalf. Poitier's agent told the others involved that Poitier was offered a film in Hollywood. Believing it was a cheap ploy, the agent was told to tell Poitier to go onto Hollywood, and the rest is history for Sidney Poitier.