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In the first part of this program Studs Terkel discusses French theater with critic Jean Vilar. In the second part, Studs and Eugène Ionesco discuss Ionesco’s work and the Theater of the Absurd.
Terkel delves into the life of Frank Norman, a London ex-con who turned his life around and became a novelist and playwright by writing on his experiences. He wrote "Bang to Rights" shortly after his prison release which brought him great fame. He followed that with "The Monkey Pulled it's Hair" that had a U.S. release under the name "Don't Darling Me Darling". Norman opened up to Terkel discussing his illegitimacy, his illiteracy till age 14, his institutionalization in an orphanage which he turned into the novel "Banana Boy".
Norman Podhoertz discusses his book "Making It" his memoir about American intellectual life and academia. Discussing the parallels in the relationships between politics, money and education.
Neil Postman, an author, educator, media theorist and cultural critic discusses his book; "The School Book: For People Who Want to Know What All the Hollering Is About,". Mr Postman and Studs talk about his definition of what school is for and it's worth, and they converse about several sections of the book. Mr. Postman reads an excerpt from his book to begin the interview.
Harold Rosenberg, a provocative and loquacious art critic, joins Studs Terkel to discuss trends in the art world. The interview begins with a clip from Sonia Delaunay, who remarks that Pablo Picasso does not create art, but transforms it. Rosenberg disagrees with this statement, elaborating on his beliefs that tradition and past experiences and influences are present in any work. The desire to create “new” art is also a complicated concept, according to Rosenberg, as art transcends time and can be considered “new” to new viewers.
Ten years ago, explained Robert Brustein, not for profit theatres were starting to pop up. Brustein was optimistic about these new theatres being available in communities as a way of offering culture. Theatres will not be funded though, because President Reagan cut federal funding to theatres in half. In addition, the National Endowment for the Arts was not growing fast enough to assist all theatres involved.
Chicago Tribune jazz critic Harriet Choice plays and discusses some favorite records from her own personal collection with Studs Terkel.
Interviewing with the very "Upper U" girl at the establishment (Part 1) while Studs was in England.
Interviewing with the very "u" girl at the establishment (Part 2) while Studs was in England.
Studs Terkel interviews composer Ned Rorem. They discuss Rorem's childhood, music, poetry, languages, and religion.