Richard Peaslee discusses his work as a composer in the film "Marat/Sade" directed by Peter Brook and based off Richard Weiss' 1964 play.

Oliver Knussen discusses his adaptation of "Where the Wild Things Are", which was beginning production at the Chicago Opera Theater, Chicago.

Commemorating the 40th anniversary of the Old Town School of Folk Music (Chicago, Ill.)

Discussing Sierra Leone and interviewing the Collier Family, Dr. Kawalak and Augustine Stevens. They also discuss the languages, culture, religion, and history of Sierra Leone. Includes a clips of Sierra Leone (African music).

Claudia Cassidy discusses being a critic of theater and opera etc. Includes about 1.5 minutes of another interview.

Discussing the book "Manchild in the Promised Land" with Claude Brown. Brown also discusses growing up in Harlem, New York as an African American man. Includes a clip of a man speaking from the county jail. Includes a song sung by Mahalia Jackson. Includes a clip of children singing.

Studs Terkel discusses the Chicago Children's Choir with the director and founder, Christopher Moore. They discuss the following: how to produce the sound; training units; patience; age spread; sing-a-long; child vs. adult projects; and various types of heritage music that makes up their repertoire. The following musical excerpts are presented: "Dark Winter Days"; "Angels and Shepherds"; "Illinois"; and "Go Tell It on the Mountain".

Conductor Christopher Keene and composer Gian-Carlo Menotti discuss how they became aware of each other and meeting to discuss a collaboration. They talk about spending time in Spoleto, Italy for the Festival of Two Worlds, a summer music and opera festival created by Gian Carlo Menotti. The two also discuss creating art in all forms, including music. Music is played to start and to end: "To This We've Come" sung by Eileen Farrell from Menotti's opera "The Consul" and the allegro from Menotti's "Piano Concerto", with Earl Wild as the pianist.

Conductor Christopher Keene and composer Gian-Carlo Menotti dscuss the major themes of the opera"Tamu-Tamu", other opera performances, and the kind of work that goes into creating these works. Recordings are played during the interview: "Aria", sung by Eileen Farrell from the opera "The Consul", "Gloria" sung by an ensemble from the opera "The Saint of Bleecker Street", and "Have You Seen a Child" sung by an ensemble from the opera "Ahmal and the Night Visitors". Music has been removed for copyright reasons. This also includes part of an earlier recorded interview with both subjects.

Studs interviews Christopher Durang, playwright, about his plays. "A History of the American Film" is the highlight of the interview, which is playing at the Heron Theater in Chicago. Durang describes parts of the play and it's characters. He explains that it portrays the different eras and famous moments of movies and references real actors and actresses. Durang reads several times from the play, but all musical numbers are removed from this edited version of the original recording.

Studs Terkel interviews two of the band members, Chris Ethridge and Gram Parsons. The following topics discussed are: the artists' backgrounds; their musical perspective; their songwriting; Los Angeles; earthquakes; their early life; their lyrics; life in the south (America); and instrumentation. The following musical excerpts have been removed due to copyright restrictions: "Wheels"; "Sin City"; "My Uncle"; "Do You Know How It Feels"; and "Hippie Boy".

Interviewing violinist Cho-Liang Lin.

Fei-Ping Hsu speaks about growing up in China and how he came to be a pianist.

Studs Terkel speaks with Charles Mingus about his life and work in the context of his autobiography "Beneath The Underdog".

Talking about jazz with Charles Delaunay at the Hotel Pas de Callais in Paris.