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The radio newscaster talks with Studs about his long friendship with the folk music singer and songwriter Woody Guthrie and his book, Woody and Me: An Intimate Reminiscence.*Please note: some sections have been edited out from the original recording due to copyright considerations
The reporter and editor takes Studs on a tour of popular music from the second half of the 20th century, as further described in his book, The Rolling Stone Illustrated History of Rock and Roll.*Please note: some sections have been edited out from the original recording due to copyright considerations
The unconventional music teacher returns to the studio to continue lessons from his book, Ways of the Hand: The Organization of Improvised Conduct.*Please note: some sections have been edited out from the original recording due to copyright considerations
The sociologist, music teacher, and author joins Studs to talk about his book, Ways of the Hand: The Organization of Improvised Conduct, and his unconventional approach to piano instruction.*Please note: some sections have been edited out from the original recording due to copyright considerations
The American journalist joins Studs to discuss the life of singer, actor, social activist, and lawyer Paul Robeson, as chronicled in her biography, Paul Robeson, All-American.*Please note: some sections have been edited out from the original recording due to copyright considerations
The British historian and author talks with Studs about the research that went into the creation of his book, Paderweski: A Biography, about the famed Polish pianist and statesman Ignacy Jan Paderweski.*Please note: some sections have been edited out from the original recording due to copyright considerations
The African American film scholar discusses the history of American musical films, especially during the Depression and into the 1950's.*Please note: some sections have been edited out from the original recording due to copyright considerations
Syvia Woods, an American, and 1980 All Ireland Harp Competition winner sits down with Studs Terkel in a wonderful discussion on the history of the folk harp and plays a variety of selections. As a self taught folk harper, she has written a book "Teach Yourself to Play the Folk Harp" for the absolute beginner. She is known as a harper and not harpist because she doesn't play the orchestra harp. She also discusses her involvement musically in a documentary for PBS entitled "Chicago Secret Wilderness", produced by Mike Hirsh. The folk harp is also known as the celtic harp or Irish harp.
Studs interview with Sylvia Syms about her career through the years and the people who influenced her. They discuss Jazz music and composers who Syms calls poets. The music numbers are removed from this edited version.
Sweet Honey In The Rock, an African American female vocal group, discusses their music. They talk to Studs and play folk/blues/traditional music.
*Please note: some sections have been edited out from the original recording due to copyright considerations
Susan Salm discusses her career as a cellist, the cello, and classical music. Includes an earlier interview with a younger Susan Salm and her mother. Includes an announcer's comments from the BBC at the end of the program.
Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. The conversation continues with Studs talking to the group about their futures. They say they're happiest when playing their music.
Studs Terkel travels to a Yurt shepherd's farm commune to hear the old song ballad of a Mongolian hero. It concerns a slave uprising from 200 years ago and shows the unity of the Mongolian people. Terkel compares this music to the Hungarian legacy before moving to the School of Story Telling and School of Music and Story Telling in the capital of Inner Mongolia, Hohhot. We are introduced to the four string hu that played Homeric ballads of drinking songs that could last four days.
Terkel presents an Easter program. Songs include "Lord of the Dance/Simple Gifts" sung by Bill Crofut and Benjamin Luxon; "Plenty Good Room" sung by Roland Hayes; "Vidé" a carnival song of Martinique; "Wondrous Love" sung by Ed McCurdy; "The Cuckoo" sung by Burr Tillstrom as Kukla; "The Cuckoo's Nest" sung by Jimmy MacBeath; "The Cuckoo" sung by Jean Ritchie; "Gloria," Malaga Flemenco song; "Old Blind Barnabus" sung by Golden Gate Quartet; and Bach's "St.