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In Berkeley, Calif., Ralph Gleason, jazz and pop critic, and founding editor of Rolling Stone, talks with Studs about the history of jazz and jazz artists. They talk in depth about Billie Holiday, white performers who imitated the style of black jazz singers, and jazz festivals. Songs include Holiday's "Them There Eyes" and "God Bless the Child."
Studs interviews Phyl Garland about her book "Sound of Soul." They discuss the history of music and how black music influenced white music. Studs reads a quote from her book where she quoted Lerone Bennett. Garland also reads from her book a few times. They discuss how music changed over time for blacks from spirituals to slave songs to the blues because it was a reflection of their lives. Garland explains how blacks used music to help them through their trials and frustrations.
The broadcast begins with an excerpt from interview with Pat Zimmerman where Mr. Zimmerman Plays "Sunday Morning" by Kris Kristofferson . Kris Kristofferson discusses his career as a songwriter and performer during the 1960's and 1970's. Mr. Kristofferson discusses working during that time with Janis Joplin, Merle Haggard, and Johnny Cash.
Studs Terkel interviews blues singer song-writer Janis Joplin. This program discusses the following: Joplin's song "Turtle Blues"; Joplin's idols Bessie Smith and Lead Belly; Joplin's style of singing; Joplin's song writing; the blues; Joplin's interpretation of "Summertime"; and various renditions of the jazz song "Summertime". The following musical excerpts were presented: "Turtle Blues"; "Summertime" (interpreted by Janis Joplin); "Summertime" (interpreted by Mahalia Jackson); "Summertime" (interpreted by Billie Holiday); "Ball and Chain"; "Piece of My Heart"; and "Billie's Blues".
Mary Lynn Kotz discusses her book "Rauschenberg, Art and Life" with Studs as they recount the works and story of 20th century art pioneer Robert Rauschenberg. They survey his career beginning in Port Arthur, TX, discussing his Depression-era upbringing which caused him to reuse and salvage virtually any object and transform it into art, his studies in Paris, made possible by the G.I.