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Interviewing the Cambridge Buskers, Michael Copley (flute and recorders) and Dag Ingram (accordion).
Interviewing singer and storyteller Anndrena Belcher.
Interviewing singer and storyteller Anndrena Belcher.
Frederick Ritter, professor, preforms musical numbers from Austria. He also discusses the history of baroque theater and Volk's Theatre, along with Viennese culture. He is joined by Sabine Roupp, Joseph Gardner and David Miller on piano during the performances. Ritter also compares Bertolt Brecht with earlier writers, Johann Nestroy and Ferdinand Raimund. Selected pieces includes works by Mozart and Ferdinand Raymond and Johann Nestroy.
Folk singer, Mary Travers, of the group Peter, Paul and Mary, talks about music and her career. Music by Peter, Paul and Mary, Pete Seeger, The Weavers and Mary Travers (solo), interspersed throughout the interview. "When The Ship Comes In" "If I had A Hammer" "Tell it on the mountain" "Los Cuatros Generales" "Song of Peace(Finlandia)" "It Will Come To You Again"
Fleming Brown, banjo player, discusses the influences Uncle Dave Macon, Pete Seeger, The Almanac Singers, and his teacher, Doc Hopkins had on him. He and Terkel also discuss the influence of WLS's Barn Dance radio show in Chicago and the Grand Ole Opry's WSM had on folk music. Fleming plays "Uncle Buddy" by Arthur Smith, to open and close the show. He also discusses the themes of Appalachian music such as lost love, mystery and murder, and plays examples for the audience.
Discussing jazz music with jazz vocalist and cabaret performer Spider Saloff. Spider Saloff discusses George and Ira Gershwin. Songs removed due to copyright.
This interview features singer and actress Carol Channing which discusses: the film "Shinbone Alley"; production of "Lorelei"; her grandmother; and her career. It begins with a musical excerpt from the animated movie "Shinbone Alley" featuring Channing singing as the alley cat Mehitabel. It also includes excerpts from the Broadway production called "Lorelei", examples of her character acting/comedy (as Cecilia Sisson), her reading of "Madeline and other Bemelmans", and a portion of the song "So Long Dearie" from the play "Hello, Dolly!".
Carol Channing discusses the following with Studs Terkel: her early career; her growth as actor/comedian; her approach to her work; her performance in "Lorelei" as Lorelei; her performance in "Wonderful Town" as Ruth; the job of the understudy; and breaking performance barriers and type casting.
Carlotta Monti discusses W.C. Fields and her book "W.C. Fields & Me".
In this interview with Terkel, folk singer-songwriter Arlo Guthrie talks about what influences his songwriting and the new definition of folk music. They touch on the shared experience of humanity, the role of the entertainer in society, and the older generation’s contributions to society. Guthrie expresses a desire to create a music “carnival” where performers and audience members both participate together. Guthrie also discusses how he began playing the banjo, and Studs comments on how Arlo has grown as a musician since his father's, Woody Guthrie, death.
Singer and storyteller Anndrena Belcher discusses her life growing up in the Appalachian mountains of Kentucky and the damaging effects industrialization and coal mining had on the economic, environmental, health, and social conditions of its communities. These experiences and stories serve as inspiration for Belcher as she travels across the country singing and storytelling to raise awareness about Appalachian life. Belcher sings Jean Ritchie’s 1972 song “West Virginia Mine Disaster”.