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Studs interview with Hildegard Knef, actress and writer. They discuss her life in Nazi Germany during the war and her experience as an actress when she came to America. Studs and Hildegard read together from her book, "The Gift Horse." Knef describes her family, Nazi Germany, survival, and her experience as a German in American post WWII. Her husband, David Anthony Palastanga, also reads an excerpt from her book.
Hilda Bernstein tells Studs about her and her husband's activism in South Africa, apartheid, and the Sharpville demonstration. Includes an excerpt from the program with Chief Albert John Luthuli (Wav ID 1895817-6-1).
As a tribute to Nelson Algren after his death, a collection of his writing is dramatized in this radio program titled "Come in at the Door."
Herman and Rick Kogan give a brief overview of the history of Chicago (1816-1955) by discussing their book "Yesterday's Chicago".
Having been a Lincoln biographer for a quarter of a century, Herbert Mitgang felt the importance of writing the play "Mister Lincoln: A Drama in Two Acts". Lincoln's rich language can be heard through Mr. Mitgang''s dramatic interpretation of Lincoln's life.
Progressive educator Herbert Kohl discusses educator and founder of the Highlander Folk School Myles Horton and the book about him, "The Long Haul: An Autobiography." The book was written by Herbert Kohl and his wife, Judith Kohl.
Herblock and Studs talk about his newest book "Straight Herblock." They talk about some of his most acclaimed drawings and the social/political questions they pose.
Herbert Blau’s KRAKEN experimental group performed, “The Donner Party, Its Crossing,” at the at the Body Politic Theatre. Blau shares his thoughts on the theatre and his approach to theatre. Blau believed there was always a story to be told, and that an audience would only understand the true story of people’s hardships by telling and re-telling a story over and over again. The program also includes an excerpt of a George Keithly interview at 5:40 to 7:40.
Helga Sandburg reads some of her poetry and discusses her life as the daughter of fellow poet Carl Sandburg.
Studs interviews Harry Chapin about his music and career. They discuss Chapin’s style of writing songs. Chapin describes some of his songs such as “Cats In the Cradle,” “Sniper,” “WOLD,” and “Mr. Tanner.” He stresses that his songs tell stories and often are influenced by real-life events. For example, “30,000 Bananas Pounds of Bananas” came from a trip he took on a Greyhound bus through Pennsylvania where there was a truck accident.
Salisbury continues talking about the artists like writers, musicians and dancers being national assets to Russia. In a country with its history of tyranny, Russian society is becoming more permissive and relaxed, explained Salisbury. Khrushchev keeps the peace right now, says Salisbury but wonders, like the title of a new book he's working on, is this "A New Russia?".
"The Long March: The Untold Story" is a piece of history that took place but wasn't reported by anyone until Harrison Salisbury wrote his book. Salisbury was 75 when he returned to China to talk to people who marched back in October of 1934. Most of the boys and some girls who went on the 6,000 mile/march were peasants.