Being discovered by Charlie Chaplin, Claire Bloom always felt like the luckiest actress around. Bloom's favorite roles were Nora in a "Doll's House" and Hedda in "Hedda Gabler". Mary Tyrone of "Long Day's Journey Into Night" is a part Bloom would like to play in the future.

Interviewing Paul Booth, Casey Lewan, and Margaret Person at a Senior Citizen's Panel sponsored by Citizens Action Program in Chicago.

Studs Terkel discusses the Chicago Children's Choir with the director and founder, Christopher Moore. They discuss the following: how to produce the sound; training units; patience; age spread; sing-a-long; child vs. adult projects; and various types of heritage music that makes up their repertoire. The following musical excerpts are presented: "Dark Winter Days"; "Angels and Shepherds"; "Illinois"; and "Go Tell It on the Mountain".

Discussing excellence in education with author, historian and cultural critic Christopher Lasch.

Discussing the book "The New Radicalism in America" and interviewing the author Christopher Lasch.

Discussing the book "The New Radicalism in America" and interviewing the author Christopher Lasch"

Conductor Christopher Keene and composer Gian-Carlo Menotti discuss how they became aware of each other and meeting to discuss a collaboration. They talk about spending time in Spoleto, Italy for the Festival of Two Worlds, a summer music and opera festival created by Gian Carlo Menotti. The two also discuss creating art in all forms, including music. Music is played to start and to end: "To This We've Come" sung by Eileen Farrell from Menotti's opera "The Consul" and the allegro from Menotti's "Piano Concerto", with Earl Wild as the pianist.

Conductor Christopher Keene and composer Gian-Carlo Menotti dscuss the major themes of the opera"Tamu-Tamu", other opera performances, and the kind of work that goes into creating these works. Recordings are played during the interview: "Aria", sung by Eileen Farrell from the opera "The Consul", "Gloria" sung by an ensemble from the opera "The Saint of Bleecker Street", and "Have You Seen a Child" sung by an ensemble from the opera "Ahmal and the Night Visitors". Music has been removed for copyright reasons. This also includes part of an earlier recorded interview with both subjects.

Studs interviews Christopher Durang, playwright, about his plays. "A History of the American Film" is the highlight of the interview, which is playing at the Heron Theater in Chicago. Durang describes parts of the play and it's characters. He explains that it portrays the different eras and famous moments of movies and references real actors and actresses. Durang reads several times from the play, but all musical numbers are removed from this edited version of the original recording.

This interview is a follow up, four years later, to the first interview with these women (1965115-3-1)

Christine Fox, Annie Merrill and Jennie Wilkes discuss sexism in the television industry, their upbringings, and what life is like in England for young women. This is the first of two interviews, four years apart, with these women. 1965631-3-1 is the follow up.

Studs Terkel interviews two of the band members, Chris Ethridge and Gram Parsons. The following topics discussed are: the artists' backgrounds; their musical perspective; their songwriting; Los Angeles; earthquakes; their early life; their lyrics; life in the south (America); and instrumentation. The following musical excerpts have been removed due to copyright restrictions: "Wheels"; "Sin City"; "My Uncle"; "Do You Know How It Feels"; and "Hippie Boy".

Fei-Ping Hsu speaks about growing up in China and how he came to be a pianist.

Discussing the state of West side Chicago schools with a panel of teachers and principals from four different schools.

Recorded in the Taylor's home against a backdrop of sounds created by a nine-children family, Studs, Alice and Bob discuss aspects of a white family living in a predominately African-American amidst an exodus of the white, Christian community. Includes a performance of "Onward, Christian Soldiers" by the family around their piano, and "Jesus Loves Me" by two of the children.