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Studs interviews Willie Dixon and Koko Taylor about the blues. They discuss their song "Insane Asylum" and their work together. Dixon uses his song "Little Red Rooster" to help explain how the blues are created from life experiences. Taylor reflects on singers like Willie Dixon, Memphis Minnie, and others who influenced her desire to sing the blues. Taylor also discusses European audiences and blues influence there. The musical numbers are removed from this edited version of the original recording.
Studs interviews Phyl Garland about her book "Sound of Soul." They discuss the history of music and how black music influenced white music. Studs reads a quote from her book where she quoted Lerone Bennett. Garland also reads from her book a few times. They discuss how music changed over time for blacks from spirituals to slave songs to the blues because it was a reflection of their lives. Garland explains how blacks used music to help them through their trials and frustrations.
Interviewing American blues singer and guitarist, Mance Lipscomb, about his life, musical inspirations, and interest in blues music.
The originator of the Roots ‘N’ Blues series and Grammy winner and nominee Lawrence Cohn discusses his latest work which focuses on the life and times of blues and the musicians that helped the genre become what it is today.
Langston Hughes, John Sellers, James Cotton, and Otis Spann discuss their origins and blues music. The interview focuses heavily on Langston Hughes and how deeply he is influenced by the blues. Hughes also discusses his upcoming book "An African Treasury" at length. Hughes, Sellers, Spann, and Cotton perform a number of songs during the interview, they have been removed due to copyright.
Studs interviews Brother John Sellers about his career and other blues singers. Sellers explains that religion influenced his music as did performers like Mahalia Jackson, Big Bill Broonzy, and Muddy Waters. Studs reads some of the lyrics of blues song, "In the Evening." Sellers describes street singers and blind singers. He describes the music and style of Jackson and Broonzy and some of his own songs. Sellers performs "Talk About A Child" and "Sally Go Round the Sunshine" live on the program.
Bob Koester, record producer and owner of Delmark Records, the United State's oldest independent jazz and blues label, talks about jazz, blues, and bebop musicians.
Blind John Davis, Chicago blues pianist, discusses his time playing in Germany and at the Blue Note jazz club, chitlin' parties, growing up on the West side of Chicago. He also recalls meeting and working with musicians like Tampa Red and Big Bill Broonzy. Music has been removed from this recording for copyright reasons.
Big Bill Broonzy discusses the blues and growing up in Arkansas with parents who were former slaves. He talks about the family dynamic and sings: "Willie Mae", "Crawdad song", "Going down this road feeling bad" and "John Henry".
Big Bill Broonzy discusses the blues and growing up in Arkansas with parents who were former slaves. He talks about the family dynamic and sings: "Crying Joe Turner", "C.C. Rider", "Make my get away", and " You've got to stand your test in judgement" . Part 1
Big Bill Broonzy discusses the blues with Studs. Big Bill talks about getting ready for a European tour, his young life, and his life as a musician. The following performances have been removed for copyright reasons: "Ride Alberta, ride," "Going Down the road feeling bad," "House rent stomp," "The glory of love," "Plow hand," "I feel so good," and "Make my getaway."
Art Hodes discusses his history and influences on his career as a jazz and blues pianist. He tells stories of musicians he has worked with and how he keeps his performances fresh after playing for so many years. Music by Art Hodes is played throughout: "Chimes Blues", "Tennessee Waltz", "Grandpa's Spells", "Just a Closer Walk with Thee","Cakewalkin' Babies from Home", "Blues 'N Booze", and "Riverside Blues".