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In addition to talking about the film "Passage to India," Victor Banerjee, also talks about Gandhi and India's class system. Included in this interview are excerpts of Satyajit Ray and Shanta Gandi.
Reading "Report from an English Village" and interviewing the author Ronald Blythe while Studs was in London.
Kenneth Allsop, literary critic for the Daily Mail, BBC host of Tonight and author of "The Bootleggers and Their Era" sits down with Studs Terkel to discuss everything from the Social Realism of Arnold Wesker, Allen Sillitoe, and Shelagh Delaney known as the Backstreet Kids to the class warfare of "The Fourth of July" author David Benedictus. The two key groups of theater, the Royal Court led by George Devine and the Theater Workshop led by Joan Littlewood is also discussed.
Jonathan Miller reminisces about his childhood in Regent Park, London and offers his opinion on philosophy and the changing English class structure with the loss of the Indian empire. His remake of "Alice in Wonderland" for BBC 1 is reviewed and he states he is most interested in the human imagination.
Ninety five miles outside of London, Ronald Blythe has interviewed residents of the village of Akenfield for his next book, "Akenfield: A Portrait of an English Village." Blythe said what surprised him most of all was that newspapers and TV didn't have much effect on this little village. Blythe also learned that the village people would take part in political conversations with one another but they'd never let on as to which political party they were apart of.
Studs interview with Roddy Doyle, Irish writer, and author of "Paddy Clark Ha Ha Ha." Doyle reads several times from the book. Studs also reads a few lines from the book. Doyle describes the book set in the Republic of Ireland in the 1960's that portrays the life of a small boy. He discusses the characters and themes of the book that relate to real-life. Doyle speaks about his own childhood that is not reflected in the book. Studs notes that the musical comedy-drama film "Commitments" is based off Doyle's book.
Robert Morley, stage and screen actor, starring in Ustinov's "Halfway Up the Tree," discusses education, technology and youth and the changes in the social makeup because of technology.
Michael Frayn reads from his book "At Bay in Gear Street" and how he approaches writing. Oliver Howes, a livery driver, talks about music, his middle class background, and his work;part 1.
Curators Jonathan Wordsworth, Robert Woof, and Michael C. Jaye discuss the exhibition “William Wordsworth and the Age of English Romanticism”, an exhibition of paintings, watercolors, manuscripts, and literature inspired by Wordsworth's Romantic Poetry. Jonathan Wordsworth reads an excerpt of lines from William Wordsworth’s “Lines Composed a Few Miles Above Tintern Abbey”, "To Toussaint L'Ouverture", and "The World Is Too Much With Us." Studs reads "My Heart Leaps Up" - William Wordsworth. Studs plays "Ça Ira" - Edith Piaf (1954) and "A Man's a Man for A'That" - Ewan MacColl (1959).
With his book, "Hunting Mr. Heartbreak: A Discovery of America," Jonathan Raban wanted to see if, in the 20th century, a man could have a new life in America. Raban traveled to New York City, to the deep south in Alabama, to Seattle and finally to the Florida Keys.
The tape begins with Studs speaking with Christopher Sykes, a friend and producer, Studs is getting information how to behave and what to expect. Studs meets Ms. Compton-Burnett at a flat in Cornwell Gardens, London, England and they discuss her life and work as a novelist and writer. Ms Compton Burnett discusses London and class structure. End of tape 1
Ivy Compton-Burnett continues the discussion of class structure in England. Ms. Compton-Burnett states that she has never been a actor but she had always been an observer, to which Studs agrees that her writing reflect her statement accurately. He ends the interview by telling Ms. Compton-Burnett that she is a true original and that he greatly admires her individuality. Interview ends at 13:00. (part 2) Studs then begins an interview with Peter Hall at Aldwych theater office London, England. Mr.