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Woody Allen discusses his life and art, the influence of both success and failure on his work, and how he finds comedy in life’s difficulties and trials. He discusses his first screenplay, “What’s Up Pussycat?” and other comedians who have influenced the development of his own comedic work, including Mort Sahl, Charlie Chaplin, the Marx Brothers, and George S. Kaufman.
Studs Terkel reintroduces this 1958 broadcast with Jacques Tati in a 1992 rebroadcast. At 39:06, Terkel includes a musical epilogue to the conversation with Jacques Tati with French children's songs such as "Cadet Rousselle". Tati discusses his films "Mr. Hulot's Holiday" and" Mon Oncle" and his emphasis as writer, director, actor, and producer to maintain a naturalness. He doesn't want lights, cameras or action to influence the actors. Naturalness will respect independence and keeping it simple and real will create pride and invite people in.
Studs talks with versatile actor, singer, performer Danny Kaye who opens up about his worldwide appeal to children and adults alike, relating to children on their terms, his father's influence, the skills and work that go into his crafts, and much more. Kaye reveals his lack of musical training yet details his comic conducting talents ala Victor Borge via his charity work. The conversation continues with talk of his variety show performances, his fondness for Señor Wences, the medium of television, and his knack for dialects.
In this interview Mel Brooks discusses his new movie "The Producers". The following is discussed: the plot; the other actors in the film; the satirical and campy nature of the film; . Brooks performs several different impersonations throughout the interview.
Carlotta Monti discusses W.C. Fields and her book "W.C. Fields & Me".
Silent film pioneer Buster Keaton discusses his career following the release of "When Comedy Was King," a compilation of some classic shorts by Keaton, Charlie Chaplin, Harold Lloyd, and others. Keaton reveals how they shot the early silent films, generated material and gags, how they planned big chase scenes, the resurging European interest in silent classics, and more. Studs asks Keaton about the stylistic differences between him and Chaplin, whether he would recreate silent films, and how they compare to today's film-making.
Comedian and actor Bob Newhart discusses his career and his life before becoming a comedian; excerpt from his stand-up performance is played.