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Interviewing Johnny, Frankie, Paul and Fred Christy. This interview is done in two parts.
Interviewing Johnny, Frankie, Paul and Fred Christy. This interview is done in two parts.
Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.
Recorded live on Chicago's South Side. Robeson is ill at the time of recording. Speakers: Earl Dickerson, Etta Moten Barnett, Judge Sidney Jones, J. Mayo "Ink" Williams, Joan Brown (possibly Abena Joan Brown), Charles Hamilton, Margaret Burroughs, [John Gray's sister], [Stevens?]
Fleming Brown, banjo player, discusses the influences Uncle Dave Macon, Pete Seeger, The Almanac Singers, and his teacher, Doc Hopkins had on him. He and Terkel also discuss the influence of WLS's Barn Dance radio show in Chicago and the Grand Ole Opry's WSM had on folk music. Fleming plays "Uncle Buddy" by Arthur Smith, to open and close the show. He also discusses the themes of Appalachian music such as lost love, mystery and murder, and plays examples for the audience.
Stuckey talks about her childhood in Memphis, writing "in the dialect", and reads "Rigamarole", "Daylight Savings Time", "Defense", "Old Man" and "Old King Cotton".
Using a Trobriand drum and harmonica, Ella Jenkins plays examples of call and response music with Studs. A few of her popular songs play between their discussion. Ella explains how her music came to be from the Chicago neighborhood streets with influences from her Uncle and other blues and folk musicians. Songs played include "Tahboo," "Miss Mary Mack," "You'll Sing a Song and I'll Sing a Song," "Come Dance By the Ocean," and "Dulce." Songs have been removed due to copyright restrictions.
As members of CAP (Citizens Action Program), Bernie Willow, Hazel Montgomery and Stanley Nappolomi all have their questions and concerns about the communities in which they reside and who gave the banks the right to determine which neighborhoods and communities are deteriorating. An outspoken, almost militant member, Bernie Willow, points out that the charters of savings and loans institutions was to loan money out so people could reside in the neighborhoods. Many of the establishments, Willow says, have dropped the word “Loan” from the businesses.
Dempsey Travis presents a jazz program and discusses the life, the music, and the community of Chicago jazz from before The Great Depression until World War II. Travis discusses 1920s-1930s Chicago for Black families including rent parties, breakfast dances, employment opportunities, union strikes, and jazz.
Dempsey Travis, real estate entrepreneur and civil rights activist turned historian and author, recalls his earlier days meeting and listening to many of the African American jazz artists. Some of the musicans mentioned are Louis Armstrong, Jimmie Lunceford, Fletcher Henderson, Duke Ellington, Earl Hines, Art Tatum, Cab Calloway, Nat King Cole, and Benny Goodman.
Discussing "Jesse Jackson, the Man, the Movement, the Myth" and interviewing the author Barbara Reynolds.