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Author Francine du Plessix Gray discusses and reads from her book “Soviet Women: Walking the Tightrope.” The discussion is heavily focused on the feminist movement in Russia as it compares to the 1960s feminist movement in the United Sates; as Gray states the Russian movement being much more radical in terms of free love, eroticism, and artistic expression. Studs plays "Chastushki" - Zinaida Kozakova (1961).
Dorothy and Henry Kraus describe how they discovered an entire European collection of church-located woodcarvings depicting a wide variety of scenes crafted by local artisans. Hundreds of years of political, religious, and social events shaped the portrayals, and they explore many of the illustrations in their book, focusing on the themes of labor, animals, and religion. They marvel at the skill and craftsmanship and observe that the works can be a rich source of primary research material for modern scholars.
Studs interviews a junior college freshman, Donna Kay Borrenpohl. They touch on subjects such as her life growing up on a farm, auto mechanic work, and gender stereotypes in career interests. Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.
Discussing the book "Blue Money: Pornography and the Pornographers - an intimate look at the two-billion-dollar fantasy industry" and interviewing the author Carolyn See. Includes Carolyn See reading an excerpt from the book at the beginning.
Caroline Bird discusses her book, 'Born Female: The High Cost of Keeping Women Down', published in 1968. Studs plays interviews from dissenters of the Women's Liberation Day and Caroline Bird responds. The discussion continues on issues of sexism and the future of the women in the workforce.
Discussing the film "Silkwood" a movie about Karen Silkwood and the circumstances surrounding her death with movie producer Buzz Hirsch.
Bess Myerson discusses her career including her experiences as Miss America and as Commissioner of Consumer Affairs for New York City.
Academy Award winning documentarian Barbara Kopple talks with Studs about her documentary "American Dream" and the battle fought and lost by union workers in Austin, Minnesota during the mid-80s. They set the backdrop in the small, tight-knit community that Hormel Foods had such a profound impact on, how the UFCW international union declined to support the local union, the gripping dynamics between family members who crossed picket lines, and the healing that occurred when the film was screened in the town several years later.
Since no men were allowed to picket against the Phelps Dodge Corp., Mexican American women showed up and according to Kingsolver’s book, “Holding the Line,” the picket lines were a brand new experience for the women. Some of the women had to get their husbands’ permission to picket. The group of women found their lives transformed not only with their cause but with new bonds of friendship from the other women.
Physician Anne Sidon, psychiatrist Susan Fisher, and attorney Sandra Nye discuss womens' changing roles in society and its connection with mental health problems and solutions. The group discusses domestic violence, and notes how the normalization of divorce affects the mental health of women and the parental roles between father and mother. Studs plays “She Sits on the Table” - Tom Paxton (1980).
Anita Miller and Jeanne Madeline Weimann discuss their book, The Fair Women, published in 1981, a book that talks about the women's role in the World's Columbian Exposition, especially in the creation of the Women's Building.