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Woody Allen discusses his life and art, the influence of both success and failure on his work, and how he finds comedy in life’s difficulties and trials. He discusses his first screenplay, “What’s Up Pussycat?” and other comedians who have influenced the development of his own comedic work, including Mort Sahl, Charlie Chaplin, the Marx Brothers, and George S. Kaufman.
Studs Terkel heads to the British town of Stratford-upon-Avon (the birthplace of William Shakespeare) intending to interview Sir John Gielgud, and getting a few words before Studs realizes that Sir John is not intending to be interviewed. He speaks instead to other members of the company. Then he meets Mr. and Mrs. Lawrence in the Falcon Hotel.
Vlado Habunek, the Director of The Croatian National Theater, also a teacher at the University of Zagreb and board member for the Debrovnik Summer Festival discusses how all arts are seeking new revelations with Studs Terkel. Terkel asks Habunek to compare American Actors with Croatian actors because they are subsidized by the state. He sees Croatian actors as too secure and admires the ambition of American actors. The fact that theater reflects life and life is difficult begins a discussion on the status of theater today.
The comedic creative force of Lily Tomlin and Tomlin's comedy writer Jane Wagner discuss the character of Edith Ann as well as the bag lady, Trudy. The comic geniuses discuss with Studs Terkel the new release "Edith Ann: My Life So Far". Tomlin assumes the character of Edith Ann to relay stories of her life in a dysfunctional family as a six year old. Edith Ann writes letters to Rush Limbaugh, Howard Stern, and Senate representatives to get her message heard. She tells the Senator that kids model grownups and grownups need to act better to protect the kids.
In the play, "The Value of Names," Shelley Berman plays Benny Silverman, a role which he says is him, an actor from the Hollywood black list. Berman said being in Chicago, acting the role and working with the cast has been THE best experience of his life and when the show closes, it will be the saddest day of his life. The director of the play, Sandy Shinner, said she knew of the Hollywood black list but didn't know about all the personal stories. There is an excerpt of Vic Navasky.
Principal actor Roscoe Lee Browne, playwright Derek Walcott, and director Gregory Mosher discuss the play "Pantomime" and it's major themes of racial role reversal, Robinson Crusoe influences, and colonialism.
Ray Gordon, writer and director, and Susanne Nussbaum, cast member of "Disabled Geniuses," discuss the play and the life of people with disabilities. Nussbaum recalls experiences of discrimination she and her friends have faced due to their differences. Both interviewees then talk about the members of the play and some of the characters involved.
The Goodman Theatre cast of the play “Fences” discuss some of the major themes from the play, including the African-American experience and race relations, particularly in Major League Baseball.
Peter Ustinov discusses his wide-ranging career in the arts as an actor, author, director, and dramatist.
American-British actress Margaret Webster, talks about the unsophisticated audience members that go to see plays by Shakespeare. Upon seeing a play, they're afraid to go at first but once they are there, they realize how much they are truly enjoying themselves.
Discussing the movie "Return of the Secaucus seven" with Maggie Renzi and John Sayles.
Ivy Compton-Burnett continues the discussion of class structure in England. Ms. Compton-Burnett states that she has never been a actor but she had always been an observer, to which Studs agrees that her writing reflect her statement accurately. He ends the interview by telling Ms. Compton-Burnett that she is a true original and that he greatly admires her individuality. Interview ends at 13:00. (part 2) Studs then begins an interview with Peter Hall at Aldwych theater office London, England. Mr.
Susan Nussbaum, founder of Access Living and Michael Pachovas founder of Disabled Prisoners Program discuss the upcoming Disabled Americans Freedom Rally in the backdrop of the International Year of the Disabled Persons and President Reagan's budget cuts. Society needs to understand that expenditures are required to secure the rights of disabled people to live active, productive lives. They need to be able to get out of their apartment buildings or homes, travel on sidewalks and ride buses. That may require access ramps, working elevators, cut curbs, and hydraulic buses to lower steps.