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Presenting "Hard Times: An Oral History of the Great Depression" Chapter 3: Big Business & A Portrait of Two Women. William Benton credits Pepsodent's survival of the Great Depression to Amos 'n Andy. Arthur Robertson talks about the initial aftermath of the 1929 crash as a Wall Street businessman. Sidney Weinberg discusses the confusion on Wall Street after the crash and praises FDR's programs. Jimmy McPartland talks about the importance of working and the success of WPA to boost morale.
Studs Terkel presents a program in honor of the birthday of abolitionist and African American leader Frederick Douglass, including excepts from Terkel's 1964 interview with African-American scholar, author and social historian Lerone Bennett. Terkel reads at length from Douglass' autobiography, "My Bondage and My Freedom," focusing on Douglass' interactions with slave owners Hugh and Sophia Auld.
Studs presents a tribute to singer, actor, athlete, author and civil rights crusader Paul B. Robeson. Studs talks about his personal memories, the social impact and music of Paul Robeson. Excerpts from 1925362-4-1 Mr Robeson' friends recall memories of him: Earl Dickerson one of the 1 st black aldermen of Chicago, J. Mayo "Ink" Williams football player, Studs Terkel, Claudia Cassidy(1925655-4-1), Eddie Balchowski, Veteran, painter, poet(1934701-3-1) Includes excerpts from 1925362-4-1 and music. Similar to 1925362-3-1, but not identical. 01/23/1976 date of death.
Simon Estes, bass-baritone opera singer, is in Chicago for four performances of George Fredric Handel's Oratorio "Saul." He talks with Studs about growing up, his education, and his career in classical music and opera. The following songs were removed due to copyright restrictions. "Symphony No.
Studs Terkel recounts a trip to Africa.
Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. Muhammad Ali discusses his book "The Greatest: My Own Story," touching on topics including his childhood and family, conversion to Islam, stance on the Vietnam War, and experiences in jail.
Poet Maya Angelou and journalist Tom Wicker discuss life in the U.S. South and how the region’s history has shaped its culture. Topics of discussion include social dynamics and race in the South, the concept of “home” and what it means to return to one’s roots, and religion in the South. Angelou reads excerpts of her poetry, including “Still I Rise” and “Phenomenal Woman,” and shares spiritual songs from her childhood.
Janis Ian discusses her career, life, and her songs. The songs she talks about are "Society's Child", "Janey's Blues", "Honey D'Ya Think", "There Are Times", "Shady Acres", and "Lonely One". Janis Ian also discusses society, race relations, and responsibility. Includes Studs Terkel reading Janis Ian's poem "Poem One". Includes Janis Ian reading her poem.
A discussion with sociologist and anthropologist St. Clair Drake at the time of his receiving an honorary award from Roosevelt University on the themes of his convocation address. A fascinating deep-dive into race relations from the Revolution to the Bicentennial, touching on the contradictions, crises, and struggles that led to Black institutions and liberation. Studs plays several excerpts from previous programs with St.
Recorded live on Chicago's South Side. Robeson is ill at the time of recording. Speakers: Earl Dickerson, Etta Moten Barnett, Judge Sidney Jones, J. Mayo "Ink" Williams, Joan Brown (possibly Abena Joan Brown), Charles Hamilton, Margaret Burroughs, [John Gray's sister], [Stevens?]
Eighteen years of reflections and essays can be found in Fyre Gallierd's book, "Race, Rock & Religion: Profiles from a Southern Journalist". Growing up in the deep south, Galliard believed the white race was superior to the Black race. Also covered in his book, Galliard thought country music was dumb and stupid and that Elvis Presley's jazz rock was popular because he was a young, white, singer who could sound Black.
Discussing the music of the Mothers of Invention and interviewing Frank Zappa. Songs include "Who are the Brain Police," "Brown Shoes Don't Make It," "Concentration Moon," "Mom and Dad," "Bow Tie Daddy," "Harry, You're a Beast," "What's the Ugliest Part of Your Body?" "Trouble Every Day," "Very Distraughtening," "White Ugliness" and "There Will Come a Time."
The following songs were removed due to copyright restrictions:, "East Virginia", "Sticking With The Union", "Old Blue", "Jesu, Meine Freude", "We Shall Overcome", "The Draft", "Sailin' Up, Sailin' Down", and "Precious Friend" an instrumental song.