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Willard Van Dyke, cinematographer and co-director of documentaries like "The City" and "The River," talks about 20th century American history and how it effected the arts. Using his documentaries and other artists' work, he explores how the Great Depression, World War II, and the Cold War changed American art and culture. He discusses Public Works of Art, war propaganda, and McCarthyism and their challenges for artists. Near the end of this interview, Van Dyke discusses the changes in modern still photography and documentaries as Americans forget history.
Vlado Habunek, the Director of The Croatian National Theater, also a teacher at the University of Zagreb and board member for the Debrovnik Summer Festival discusses how all arts are seeking new revelations with Studs Terkel. Terkel asks Habunek to compare American Actors with Croatian actors because they are subsidized by the state. He sees Croatian actors as too secure and admires the ambition of American actors. The fact that theater reflects life and life is difficult begins a discussion on the status of theater today.
Studs Terkel reintroduces this 1958 broadcast with Jacques Tati in a 1992 rebroadcast. At 39:06, Terkel includes a musical epilogue to the conversation with Jacques Tati with French children's songs such as "Cadet Rousselle". Tati discusses his films "Mr. Hulot's Holiday" and" Mon Oncle" and his emphasis as writer, director, actor, and producer to maintain a naturalness. He doesn't want lights, cameras or action to influence the actors. Naturalness will respect independence and keeping it simple and real will create pride and invite people in.
Studs Terkel and Robert Altman discuss the opera "McTeague" based on Frank Norri's novel of the same name.
Terkel presents a musical performance of the Glen Ellyn Children's Chorus
Terkel presents a musical performance of the Glen Ellyn Children's Chorus
Marian Anderson recalls singing on stage for the first time at the Metropolitan Opera House in 1957 and how it was the realization of a dream come true. Marion's nephew, James DePreist remembers being able to conduct a piece of music he had never conducted before because his aunt Marion had exposed him to it when he was a child. James said when his aunt Marion sung spirituals, he couldn't help but feel religious and he's an atheist.
The originator of the Roots ‘N’ Blues series and Grammy winner and nominee Lawrence Cohn discusses his latest work which focuses on the life and times of blues and the musicians that helped the genre become what it is today.
Presenting music with music producer (impresario) John Hammond. The following topics were discussed: various recordings; his encounters with famous jazz musicians; the first time he met Billie Holiday; the song "Strange Fruit"; improvisation; racial reform; Bessie Smith's death; and uniting rural and urban artists. The following musical excerpts were played and have been removed for copyright reasons: "7 Come 11"; "This Years Kisses"; "Lady Be Good"; "Young Woman's Blues"; "What More Can Jesus Do"; and "Piney Brown Blues".
Music producer John Hammond and jazz critic for Down Beat magazine John McDonough discuss: Hammond's career; the artists he worked with; the artists he was the first to sign; social reform; and more. The following musical excerpts are played: "7 Come 11"; "Sauce"; "Talking Union"; "Blowing In the Wind"; "Today I Sing The Blues"; and "Live Embers".
Filmmaker Jill Godmillow and folksinger Judy Collins co-produced the documentary film "Antonia: A Portrait of the Woman." Godmillow's film covers how Antonia Brico wanted to conduct professional symphony orchestras. There are also excerpts from the film within this interview.
Discussing Antonia and interviewing Jill Godmilow.