Interviewing members of the Geese Theatre Company; Mike Bail, Jill Reiner, Tom Swift, and Artistic Director John Bergman. The Geese Theatre Company specializes in drama therapy in prisons, for correctional staff, and for sexual and violent offenders.

Placido Domingo discusses his career as a tenor singer and conductor, including his role in the film "Otello" directed by Franco Zeffirelli and based on the opera by Giuseppe Verdi.

Studs Terkel continues to interview actress and singer Eartha Kitt. Part 2 of the interview begins with the song "Üsküdara", and ends with "Mountain High, Valley Low", both sung by Kitt. Kitt discusses the following; her career; her desire to entertain; her autobiography, "Thursday's Child"; her mothers death; the art of interacting with the audience; the femme fatale; her time with the Katherine Dunham Dancers; and her portrayl of Helen of Troy.

Interviewing the cast of the musical revue "Suburbs of Heaven," songwriter Thom Bishop, singers Marty Peifer and Megon McDonough. Songs include "Mr. Arthur's Place," "Why Not Talk to Me?" "The Telephone Song," "Just Because You Didn't See Me," "Suburbs of Heaven," "Times I Tried to Love You," "Amateur Night/New Year's Eve," and "Somebody Feels the Water."

Frederick Ritter, professor at Illinois Institute of Technology, discusses the life and work of playwright Bertolt Brecht, the genre of epic theater, and more.

When he was a child, Dudley Moore first wanted to study the violin. He's grateful to his mother for insisting that he first study the piano. Moore said his influences include Bach and Garner. Unlike other musicians, Moore's main focus has always been on the beat, both the cultivation and the presence of the beat of a song and of music.

Renee Fleming discusses her musical upbringing, her repertoire, her relationship to performance, and more.

Discussing productions of her plays "Path of Ashes" and "Maid's Play," with playwright and director Nicole Dreiske.

Discussing "Book of Lear," with director and playwright Nicole Dreiske.

Elsa Joubert's novel was adapted for the stage by Hilary Blecher.