Studs interviews Gilbert Moses about his play, "Blues for Mister Charlie" and The Free Southern Theater. They discuss a variety of plays that include, "White America," "Roots," and "Blues of Mister Charlie."

Zero Mostel talks about acting theory, French and American theater differences, and the reflection of art in society.

Zero Mostel talks about acting theory, French and American theater differences, and the reflection of art in society.

Viveca Lindfors discusses her roles and the roles of women in society. Includes Viveca Lindfors reciting lines written by Lillian Hellman.

Friedrich Luft, Chief Drama Critic for Die Welt discusses German theater and Bertolt Brecht as well as new playwrights such as Peter Weiss. Unlike American theaters, Germany has over 200 theaters that are subsidized and each town of 50,000 has a theater. Just like the days of The People's Stage (which still exists) the grocer and cobbler of Germany enjoy the theater. They are as devoted to the theater as going to a museum or church. They are treated to 12 to 16 new or old plays from Sophocles to Sartre or Pinter.

Soviet intellectuals Tamara Mamedova, Nicolai Pogodin, and Anatol Safronov talk with Studs Terkel about their work with the Institute for Soviet-American Relations (U.S.) and Soviet arts and culture.

William Ball discusses the American Conservatory Theater in Pittsburg, PA. They discuss in great detail how different the company is. Specifically that they keep themselves learning and perfecting the classic style. Dick Christiansen theater and film critic joins the conversation.

Studs interview with Hildegard Knef, actress and writer. They discuss her life in Nazi Germany during the war and her experience as an actress when she came to America. Studs and Hildegard read together from her book, "The Gift Horse." Knef describes her family, Nazi Germany, survival, and her experience as a German in American post WWII. Her husband, David Anthony Palastanga, also reads an excerpt from her book.

Musical theater and television actress/comedienne Kaye Ballard discusses her role as Helen in the 1954 American opera The Golden Apple, musician and writer John La Touche, her family, her accompanist Arthur Siegel and their mutual love for the Peanuts comic strip, the parakeet sketch she wrote with Mel Brooks, her background in burlesque and vaudeville, and her comic and musical inspirations.

The relationship between novelist Thomas Wolfe and theater director Aline Bernstein is covered in Carole Klein's book, Aline.*Please note: some sections have been edited out from the original recording due to copyright considerations