Meg Christian discusses songwriting and the music industry, especially her work in the feminist movement.

Studs Terkel interviews two of the band members, Chris Ethridge and Gram Parsons. The following topics discussed are: the artists' backgrounds; their musical perspective; their songwriting; Los Angeles; earthquakes; their early life; their lyrics; life in the south (America); and instrumentation. The following musical excerpts have been removed due to copyright restrictions: "Wheels"; "Sin City"; "My Uncle"; "Do You Know How It Feels"; and "Hippie Boy".

The reporter and editor takes Studs on a tour of popular music from the second half of the 20th century, as further described in his book, The Rolling Stone Illustrated History of Rock and Roll.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Garry Davis concludes by telling the audience he's in town to gain moral, political and financial support for the group he founded, The World Service Authority. Davis' final thought -- any man who defends his own rights is defending the rights of all men. Ray Davies of the English rock band, The Kinks, talks about the studio album, "Arthur (Or the Decline and Fall of the British Empire)". Davis reads lyrics from the songs, "Victoria," "Yes Sir, No Sir" and "Some Mother's Son".

Ray Davies of the English rock band, The Kinks, talks about the studio album, "Arthur (Or the Decline and Fall of the British Empire)". Davis reads lyrics from the songs, "Victoria," "Yes Sir, No Sir" and "Some Mother's Son".

Music, long hair and the war are among the topics discussed at the pub. Ingo plays the guitar and he's looking for fun with music. Ingo hopes to get married and have children one day. When asked about the war, Brigitte says she doesn't like to think about it and that people should forget about what happened. It's apparent that the group wants to live in peace but none of the individuals have any plans for making a better world.

Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. The conversation continues with Studs talking to the group about their futures. They say they're happiest when playing their music.