Interviewing jazz singers and musicians Jackie Cain and Roy Kral.

Part 2 of the program continues with Dizzy Gillespie discovering the following: his jazz style; his interactions with other musicians; and his latin musical influences. The following Gillespie musical excerpts are played: "Tin Tin Deo"; "La Lorraine"; and an musical piece (with an undisclosed title) is played to end the program.

Part 1 of this program begins with Studs Terkel reading an excerpt from the book "Giants of Jazz" , which describes Dizzy Gillespie's early life. Gillespie discusses the following: the state of jazz; his fellow musicians; jazz contributors; jazz fundamentals; and his tours abroad. Gillespie's "Groovin' High" is played towards the end of this part of the program.

Studs Terkel interviews Mary Lou Williams and her manager, Father Peter O'Brien. They discuss music, musicians, and instruments. Some clips of piano music playing at the end.

Studs Terkel and John McDonough talk with jazz pianist Teddy Wilson about his influences and career. Wilson was initially strongly influenced by Fats Waller and later came to highly admire Earl Hines. He adapted their clean and clear piano style to his own work. Wilson aspired to be a classical musician but felt he could not attain the performance level required because his time was spent in jazz. He was an original member of the Benny Goodman trio alongside both Goodman and Krupa. He was a part of the first inter racial group to play in public.

The blues and jazz are topics covered by Ralph Ellison. Ellison himself started to play the trumpet at the age of seven. Ellison said for him, when hearing classical music, he then had to go and find classical literature.

Benny Goodman was one of 12 children and when he was little, his father took him to a synagogue where he learned to play the clarinet. Ross Firestone's book, "Swing, Swing, Swing: The Life and Times of Benny Goodman" is full of information about the musician. Goodman was a perfectionist, always wanting to better at his craft. According to Firestone, as a band leader, Goodman never thanked any musicians that played for him or with him.

Interviewing producer, director and screenwriter Jean Bach about her Oscar-nominated documentary "A Great Day in Harlem".

Interviewing jazz singer Andy Bey.