Photographer David Scherman talks with Studs Terkel about the stories that photos can tell, famous photographers, and the book “The Best of Life,” which Scherman edited. A recording of the song “Brother, Can You Spare a Dime?” by the Weavers is played.

Studs presents a tribute to singer, actor, athlete, author and civil rights crusader Paul B. Robeson. Studs talks about his personal memories, the social impact and music of Paul Robeson. Excerpts from 1925362-4-1 Mr Robeson' friends recall memories of him: Earl Dickerson one of the 1 st black aldermen of Chicago, J. Mayo "Ink" Williams football player, Studs Terkel, Claudia Cassidy(1925655-4-1), Eddie Balchowski, Veteran, painter, poet(1934701-3-1) Includes excerpts from 1925362-4-1 and music. Similar to 1925362-3-1, but not identical. 01/23/1976 date of death.

Anna Deavere Smith discusses and demonstrates her unique character portrayals from her works "Fires in the Mirror" and "Twilight: Los Angeles, 1992."

American screenwriter, Walter Bernstein, discusses his book "Inside Out: A Memoir of the Blacklist", a memoir about his life during and following his blacklisted status due to his alleged communist views. Bernstein uses the case of John Henry Faulk versus Laurence A. Johnson to serve as an example of how the entertainment industry was being diminished during this time.

The influence of the WPA on the music of the 1930's. The heroic sounds heard in song, movies, and theater. He provides Bing Crosby's version of Yip Harburg's "Brother Can You Spare a Dime". As well as the Almanac Singers performing "Roll the Union On". Both Moll's Song and the final scene of Blitzstein's, "The Cradle Will Rock" are performed. Terkel provides a host of other songs which highlight the music of the 1930's. Extensive discussion on "The Cradle Will Rock" with its producer John Houseman.

American screenwriter, Walter Bernstein, discusses his book "Inside Out: A Memoir of the Blacklist".

Melvin Douglas and Frank Lovejoy discuss their roles in Gore Vidal's play "The Best Man", politics, and their careers.

Academy Award winning documentarian Barbara Kopple talks with Studs about her documentary "American Dream" and the battle fought and lost by union workers in Austin, Minnesota during the mid-80s. They set the backdrop in the small, tight-knit community that Hormel Foods had such a profound impact on, how the UFCW international union declined to support the local union, the gripping dynamics between family members who crossed picket lines, and the healing that occurred when the film was screened in the town several years later.