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Studs Terkel and American lawyer Mark Lane dive into Lane’s best-selling book, “Rush to Judgement,” which is a critique of the Warren Commission’s methods and findings, based on Lane’s own investigations and research. He discusses his struggle to publish the book, after several cancelled contracts with publishers, and critical reviews the book received, which he believes are weakly based. This interview includes interviews with three witnesses of JFK’s assassination, collected by Lane during his investigations.
Program includes an excerpt from Hard Times (T3452B).
Historians and exhibit organizers Rob Okun, Richard Fried, and Peter Novick discuss the Spertus Museum’s exhibit “Unknown Secrets: Art and the Rosenberg Era.” Julius and Ethel Rosenberg were both convicted and executed in 1953 for participating in spy activity for the Soviet Union. Okun, Fried, and Novick discuss the Rosenberg case and the subsequent response from the public after the execution, many of whom felt the Rosenbergs were wrongfully convicted. The art in this exhibit captures the passion surrounding this case.
Wicker discusses advocacy journalism versus objective journalism, freedom of the press, and the role of the press in American society.
Because there' s murder, torture, prison terms and terrorism involved, Studs Terkel, mentions that this book reads like a crime novel. "Assassination on Embassy Row," is John Dinges' account of what happened to Orlando Letelier in Washington, D.C. in 1976.
Studs examines the history of crime in our nation, with the author of The American Way of Crime: From Salem to Watergate, a Stunning New Perspective on American History. The program includes a clip of Gaynell Begley talking about controversial land disputes and strip mining rights in Kentucky.*Please note: some sections have been edited out from the original recording due to copyright considerations
Discussing the book, On Doing Time, and interviewing the author Morton Sobell. Includes clips of Studs asking various people what they know about Julius and Ethel Rosenberg.*Please note: some sections have been edited out from the original recording due to copyright considerations