Jennie Tourel discusses her career with some comments by her accompanist Simon Sargon.

Jon Vickers discusses his career, opera music, and opera singers.

Richard Vikstrom discusses his farewell performance. Richard Vikstrom also discusses classical music, religious music, and his early life. Includes an earlier interview with Richard Vikstrom.

Self-taught composer Maurice Weddington talks about his music career from his early years when he was raised on the West Side of Chicago to his performances around Western Europe.

Thomas Wikman discusses Music of the Baroque with Studs Terkel. They also discuss composers, musical talent in Chicago, musical instruments, opera, and the history of Baroque music.

Studs Terkel interview with Wanda Wilkomirska about her life as a violinist. They discuss her childhood and her musical family. Wilkomirska talks about the people and music that influenced her, and she describes the differences in audiences between large cities and smaller ones. She expresses her deep love for music and her need to play her music with emotion. Music performances are cut from this particular recording with Wanda Wilkomirska. Studs quotes Ray Erickson, critic from the New York Times and discusses other critiques of her work.

Ernst Haefliger discusses the story of the Magelone songs by Brahms. He talks about his upbringing in Switzerland and his path to becoming a singer. He also discusses his interpretations of the roles he has played in various operas, like Tomino in "The Magic Flute". Music is played throughout: "Ruhe, Süssliebchen" by Brahms, "Leb denn wohl, Heimatland"by Janáček, an aria and a recitative from "St. Matthew Passion"by Bach, an aria from "The Magic Flute" by Mozart, and "Dichterliebe, Op.48" by Schumann. Music has been removed from this file for copyright reasons.

Barbara Hendricks discusses her career, music education, and opera. Includes a clip of Jennie Tourel's voice.

Conductor Christopher Keene and composer Gian-Carlo Menotti discuss how they became aware of each other and meeting to discuss a collaboration. They talk about spending time in Spoleto, Italy for the Festival of Two Worlds, a summer music and opera festival created by Gian Carlo Menotti. The two also discuss creating art in all forms, including music. Music is played to start and to end: "To This We've Come" sung by Eileen Farrell from Menotti's opera "The Consul" and the allegro from Menotti's "Piano Concerto", with Earl Wild as the pianist.

Conductor Christopher Keene and composer Gian-Carlo Menotti dscuss the major themes of the opera"Tamu-Tamu", other opera performances, and the kind of work that goes into creating these works. Recordings are played during the interview: "Aria", sung by Eileen Farrell from the opera "The Consul", "Gloria" sung by an ensemble from the opera "The Saint of Bleecker Street", and "Have You Seen a Child" sung by an ensemble from the opera "Ahmal and the Night Visitors". Music has been removed for copyright reasons. This also includes part of an earlier recorded interview with both subjects.