Peter Yarrow, Paul Stookey and Mary Travers talk with Studs about the forming of the Folk singing group Peter, Paul and Mary and their first year together. They perform their music throughout the interview. Song: "The Shape of Things to Come," Winn, John--ends: 00:08:42 Begins 00:08:50 (recording change).

Studs engages the former Chicago Symphony Orchestra conductor, Sir Georg Solti, in a wide-ranging conversation about his life and career. From his early studies in Budapest with Béla Bartók, his string of good-luck opportunities before, during, and after World War II, meeting Toscanini in Lucerne, and starting on top conducting in Frankfurt, London, and finally Chicago. He discusses his many German and European musical influences and contemporaries, and stresses the importance of education, arts funding, and hard work.

Interviewing folk singer Win Stracke about "Songs of man."

Interviewing folk singer Win Stracke about "Songs of man."

Studs Terkel discusses with Elizabeth her her role as The Marschallin in Der Rosenkavalier. This interview is done in three parts.

Studs Terkel interviews soprano Rosa Raisa about her career in Opera.

Soprano Teresa Stich-Randall continues to talk about how much she loves music. When asked what her favorite role was, she didn't have an answer because she loves them all. Stich-Randall explained that the love of music, it's a international language. Even when people speak different languages, the love of music, is universal.

According to Elisabeth Schwarzkopf, at a young age, she first started to play the piano and viola before she studied singing. Madame Schwarzkopf explained the importance of being able to play different roles. With regards to luck, Schwarzkopf says it happens only once, when one finds the right teacher. All the rest, explains Schwarzkopf is hard work.

Studs Terkel interviews Rachel Barton, Wendy Warner and Peggy Wise during the preparation for a benefit concert at the James R. Thompson Center. The benefit concert will be held on March 22, 1997.

Now retired from singing opera, when Madame Lotte Lehmann is not traveling around Europe, she teaches, what she says, are the best students she has encountered, at Northwestern University. Lehmann explains her hope is to not only teach but to inspire singers to be larger than life and to bring out their own personalities in a song.