Part 2 of the program continues with Dizzy Gillespie discovering the following: his jazz style; his interactions with other musicians; and his latin musical influences. The following Gillespie musical excerpts are played: "Tin Tin Deo"; "La Lorraine"; and an musical piece (with an undisclosed title) is played to end the program.

Part 1 of this program begins with Studs Terkel reading an excerpt from the book "Giants of Jazz" , which describes Dizzy Gillespie's early life. Gillespie discusses the following: the state of jazz; his fellow musicians; jazz contributors; jazz fundamentals; and his tours abroad. Gillespie's "Groovin' High" is played towards the end of this part of the program.

Frederick Ritter discusses the life and work of playwright and poet Bertolt Brecht and preforms a few his songs. He also discusses the philosophy of epic theater and literature in Germany. Sabina Roupp joins Ritter with Brecht's music.

A self-proclaimed underground artist, Ferron, says she may not sell tons of records but she does have a good following of fans. Ferron says people like her music because they're seeking balance in their lives. She further explains that a lot of her lyrics have to do with understanding our purpose in life.

Fela Sowande discusses his career, music, and compares African culture and music to Western culture and music. Includes two songs that are sung by tenor Max Worthley. Includes a clip of a Nigerian Youth song. Includes performance by a Nigerian skiffle band. Sowande was inspired by [Anthony Gregascoigne], an English poet he met in England.

Fela Sowande discusses his career, Nigerian music, and compares African culture and Western culture. Includes clips of musical performances by Highlife musicians and orchestra. Music: A clip of high-life music, "Folk Symphony for Full Orchestra."

Fela Sowande discusses his career, different types of Nigerian and African music, the Yoruba people, and religion. Includes clips of an African Yoruba pagan hymn "Oyigiyigi," a Christian version of that hymn, and an organ version of that hymn. Includes Sowande's song "Roll de Ol' Chariot." Quotes a poem by [Anthony Gregascoigne], an English poet he met in England.

When Rudolf Ganz was younger, he first played the cello. After his cello broke into 800 pieces, Rudolph Ganz's father told Ganz he had to play the piano. Ganz became a world-renowned pianist and composer. Ganz's attitude toward music: in order to be progressive, one has to respect the past.

A wide-ranging conversation with the Russian composer, pianist, and music professor - about his time in Chicago and his upcoming departure for New York.*Please note: some sections have been edited out from the original recording due to copyright considerations