Professor John Nef explained that Marc Chagall came from an environment of nothing. From his dreams, Chagall created joy in his pieces of art. Nef lets the audience know that Chagall said he still has a lot of unfinished artwork to complete. The 3rd and last part of this program is a colloquy. Again, through another translator, Chagall’s words are translated. Chagall said his life’s purpose is art. Chagall said any man could be a bad artist but that no man can be an artist unless he is in fact, a good man.

Representatives discuss the Center for Human Understanding (part 2 of 2). Center for Human Understanding conference in Washington D.C. Includes interview with [Raghav Heer]. Interviews [Chaumont Hosie]. Note: lengthy interviews in French (translated).

Discussing the book "Chinese encounters" with the authors Arthur Miller and Inge Morath.

Computers and technology may be good for some people, however, printers John Kailen, Gerri Scott, Russ Wadleigh and Hank Orttinger don't see it that way. As members of typographical unions, they have a skilled trade, and their trade and jobs are being threatened by computers. Some felt their livelihoods were stabbed in the back by the computer.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Eddie Balchowsky tells stories about being an Observation Scout during the Spanish Civil War and marching with a British battalion. He plays and sings several songs of the time.(unknown titles)

Harry Jackson discusses his career as a singer, painter, and sculptor and the inspiration he took from fellow contemporaries and Italian sculpture. Between 10:00 and 11:00, Jackson remarks that Mary Wright "from the south fork of the Shoshone River" is in the studio with them.

Curator John Zukowsky and architect Stanley Tigerman discuss their architecture exhibit and the controversy surrounding it.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Studs and Jules Feiffer read several of Feiffer’s political cartoons culminating in a performance of “Feiffer’s America.” The performance is preceded by Feiffer’s explanation of the inspiration behind these works. Feiffer attempts to answer what drives him to create these astute observations of political happenings, which are often used as an outlet for his anger regarding social and political events. Studs plays "On the Good Ship Lollipop" - Shirley Temple (1934).

Jules Feiffer and Studs read several of Feiffer's previous cartoons as they discuss his history as a cartoonist and his retrospective on display at the Walton Street Gallery in Chicago. Feiffer discusses his attempt to move away from political cartoons and instead shift focus to social commentary. Feiffer also discusses his play "Elliot Loves", a love story that captures the complications of love and the “gap” between the sexes.