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John Weber, Mark Rogovin and Justine DeVan discuss their involvement with the mural movement as well as their involvement with the Chicago community and their various art projects. Includes excerpt of an interview with Bill Walker at the Peace and Salvation Wall of Understanding in (near?) Cabrini Green.
Discussing the book "How it feels when a parent dies" with the author Jill Krementz.
Professor John Nef explained that Marc Chagall came from an environment of nothing. From his dreams, Chagall created joy in his pieces of art. Nef lets the audience know that Chagall said he still has a lot of unfinished artwork to complete. The 3rd and last part of this program is a colloquy. Again, through another translator, Chagall’s words are translated. Chagall said his life’s purpose is art. Chagall said any man could be a bad artist but that no man can be an artist unless he is in fact, a good man.
Eddie Balchowsky tells stories about being an Observation Scout during the Spanish Civil War and marching with a British battalion. He plays and sings several songs of the time.(unknown titles)
Harry Jackson discusses his career as a singer, painter, and sculptor and the inspiration he took from fellow contemporaries and Italian sculpture. Between 10:00 and 11:00, Jackson remarks that Mary Wright "from the south fork of the Shoshone River" is in the studio with them.
Curator John Zukowsky and architect Stanley Tigerman discuss their architecture exhibit and the controversy surrounding it.*Please note: some sections have been edited out from the original recording due to copyright considerations
Professor John Nef explained that Marc Chagall came from an environment of nothing. From his dreams, Chagall created joy in his pieces of art. Nef lets the audience know that Chagall said he still has a lot of unfinished artwork to complete. The 3rd and last part of this program is a colloquy. Again, through another translator, Chagall’s words are translated. Marc and Valentina Chagall speak French.
Discussing the book "Degenerate Art: the Fate of the Avant-Garde in Nazi Germany," (published by H. N. Abrams) with the author and editor Stephanie Barron.
Interest into James Steven George Boggs' artwork first started because Boggs had doodled a picture on a napkin at a coffee shop. The waitress there really liked Boggs' drawing and offered him $50.00 for it. Boggs, otherwise known as J.S.G. Boggs, also talks about how the Bank of England placed him on trial, accusing him of illegally producing currency.