Harry Jackson discusses his career as a singer, painter, and sculptor and the inspiration he took from fellow contemporaries and Italian sculpture. Between 10:00 and 11:00, Jackson remarks that Mary Wright "from the south fork of the Shoshone River" is in the studio with them.

In his class, Edwards points out that the chances of becoming the next Kareem Abdul-Jabbar or Michael Jordan are extremely rare. According to Edwards, collegiate sports players spend 55 to 60 hours a week playing their sport, leaving little or no time for book learning. For many, after training and competing for four years, they're not able to secure good jobs because they didn't have time for studying while at the college.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Studs interviews Harry Chapin about his music and career. They discuss Chapin’s style of writing songs. Chapin describes some of his songs such as “Cats In the Cradle,” “Sniper,” “WOLD,” and “Mr. Tanner.” He stresses that his songs tell stories and often are influenced by real-life events. For example, “30,000 Bananas Pounds of Bananas” came from a trip he took on a Greyhound bus through Pennsylvania where there was a truck accident.

The conversation continues with Belafonte talking about his album, "Belafonte Sings of the Caribbean". The songs, explained Belafonte, were both reflections of his childhood and things he was exposed to as an adult. Belafonte believed both Louis Armstrong and Jack Teagarden played important roles in jazz music.

Singer Harry Belafonte discusses Black music including spirituals and jazz and how it has contributed to American culture.

Mr Barnard discusses being a writer and biographer. He strongly discusses the theory, What is literature? and states, "If the work(writing) enriches the person reading and causes deep thought it is literature." He is working, at the time of broadcast, on the papers, notes manuscripts of Upton Sinclair preparing to . He was also writer in residence at Roosevelt University at the time of broadcast.

American author, journalist, and one time New York Times correspondent in Moscow, Harrison Salisbury, discusses his book "The New Emperors: China in the Era of Mao and Deng" They discuss the politics of China and Mr Harrison shares stories of the politicians, and Chinese people he spent time with. Studs shares an excerpt of an interview with physician George Hatem regarding China and her people. The interview closes with; "Che lai" performed by Paul Robeson

Salisbury continues talking about the artists like writers, musicians and dancers being national assets to Russia. In a country with its history of tyranny, Russian society is becoming more permissive and relaxed, explained Salisbury. Khrushchev keeps the peace right now, says Salisbury but wonders, like the title of a new book he's working on, is this "A New Russia?".

Being a correspondent for the New York Times in Moscow gave others the chance to see Russia through Harrison Salisbury's reporting. Inside their country, the people, says Salisbury, they have started to loosen up and they have started to talk to one another. The freedoms of the arts have come back, too.

"The Long March: The Untold Story" is a piece of history that took place but wasn't reported by anyone until Harrison Salisbury wrote his book. Salisbury was 75 when he returned to China to talk to people who marched back in October of 1934. Most of the boys and some girls who went on the 6,000 mile/march were peasants.

Harrison Salisbury discusses his book “The 900 Days: The Siege Of Leningrad” and the lasting impact of the siege on the Soviet Union and life in Leningrad during the siege. Salisbury reads a poem by Olga Bergholz.Isabella Zorina discusses a trip to mass graves, including the many young people who were also visiting, some as part of wedding ceremonies, and the music played at the graves. Terkel plays Beethoven's Symphony No. 3, conducted by Leonard Bernstein, at the end of the program.