Skip to main content

Main navigation

  • Home
  • Explore
  • Interact
      • Clips Explore themed playlists of audio clips from the Archive.
      • Reuse Listen to creative reuses of Studs’ interviews.
      • Remix Combine audio from the Archive to create entirely new works.
  • Podcast
  • Classroom
  • Donate
People
Topics
Has Audio or Transcript
Showing 46 - 60 of 1183 results
  • Tito Gobbi in conversation with Studs Terkel

    1971
  • Thomas Wikman discusses Music of the Baroque

    Apr. 22, 1976

    Thomas Wikman discusses Music of the Baroque with Studs Terkel. They also discuss composers, musical talent in Chicago, musical instruments, opera, and the history of Baroque music.

  • Thomas Wikman discusses Baroque music and its rise in history

    Jun. 30, 1982

    Studs interview with Thomas Wikman about MOB (Music of Baroque). Wikman shares historical details of the rise of Baroque music. Studs and Wikman discuss various Baroque pieces and the instruments used. Wikman describes various pieces of his work and members of his group. They discuss Baroque composers, and Wikman describes how acoustics play a role in their music selections for live performances. Studs also explores Wikman's childhood and influences to his music.

  • Thom Bishop discusses the musical revue "Suburbs of Heaven"

    Feb. 7, 1979

    Interviewing the cast of the musical revue "Suburbs of Heaven," songwriter Thom Bishop, singers Marty Peifer and Megon McDonough. Songs include "Mr. Arthur's Place," "Why Not Talk to Me?" "The Telephone Song," "Just Because You Didn't See Me," "Suburbs of Heaven," "Times I Tried to Love You," "Amateur Night/New Year's Eve," and "Somebody Feels the Water."

  • The Lira Singers in conversation with Studs Terkel

    Nov. 28, 1986

    Terkel comments and presents a musical performance by The Lira Singers

  • Flying Burrito Brothers

    The Flying Burrito Brothers discuss their album "The Gilded Palace of Sin"

    Mar. 1, 1969

    This program presents the musical group the Flying Burrito Brothers and their album 'The Gilded Palace of Sin'. Studs Terkel interviews two of the band members, Chris Ethridge and Gram Parsons. The following topics discussed are: the artists' backgrounds; their musical perspective; their songwriting; Los Angeles; earthquakes; their early life; their lyrics; life in the south (America); and instrumentation. The following musical excerpts are presented: "Wheels"; "Sin City"; "My Uncle"; "Do You Know How It Feels"; and "Hippie Boy".

  • The Emerson String Quartet discuss the founding and successes of the group

    Aug. 30, 1989

    The Emerson String Quartet's members Eugene Drucker (violin), Lawrence Dutton (viola), David Finckel (violoncello), and Philip Setzer (violin) discuss their past work, scheduled performances, and musical techniques.

  • The Collier Family, Dr. Kawalak, and Augustine Stevens discuss Sierra Leone and the Peace Corps; part 1

    Jul. 26, 1966

    Discussing Sierra Leone, the Peace Corps, and interviewing the Collier Family, Dr. Kawalak, and Augustine Stevens. They also discuss the languages, culture, religion, and history of Sierra Leone. Includes clips of African music (from Sierra Leone).

  • Tervalan Porche discusses creole music, language and culture

    Dec. 10, 1980

    Tervalan Porche discusses creole music, language and culture in which she is an exponent as a singer. The interview starts abruptly which we can deduce that the first part of the introduction was not recorded. This recording has copyrighted material removed.

  • Terkel talks jazz with Teddy Wilson and John McDonough

    Apr. 27, 1976

    Studs Terkel and John McDonough talk with jazz pianist Teddy Wilson about his influences and career. Wilson was initially strongly influenced by Fats Waller and later came to highly admire Earl Hines. He adapted their clean and clear piano style to his own work. Wilson aspired to be a classical musician but felt he could not attain the performance level required because his time was spent in jazz. He was an original member of the Benny Goodman trio alongside both Goodman and Krupa. He was a part of the first inter racial group to play in public.

  • The Andrews Sisters

    Terkel interviews Maxene Andrews of The Andrews Sisters

    Aug. 23, 1982

    Maxene Andrews reminisces over Andrews Sisters songs with Studs Terkel. She acknowledges the heavy influence the Boswell Sisters played in the creation of their image. She relays musical stories surrounding songs in Abbott and Costello such as "Bugle Boy" from their movie "Buck Privates". How they found the song "Mir Bist Du Schon" and Sammy Cahn and Saul Chaplin helped with the lyrics. How song pluggers brought The Andrews Sisters "Tip-Pi-Tin". How "Apple Blossom Time" helped an injured soldier at Oak Knoll Hospital upon his return to the states.

  • Terkel interviews Jim Beebe and presents trombone music

    Jan. 5, 1983

    Presenting trombone music and interviewing trombone player Jim Beebe.

  • Terkel comments on and presents musical performance by Ruby Braff

    May. 2, 1985

    Presenting music by coronet player Ruby Braff prior to an appearance at Rick's Cafe.

  • Terkel comments and presents the music of Sherry Kloss

    Oct. 27, 1989
  • Terkel comments and presents the Hi-Fi Show

    Sep. 18, 1957

    Live performance taking place at the Hi-Fi Show at the Morrison Hotel, featuring Marilyn Child, Glenn Yarbrough and Odetta.

Previous
of 79
Next
Major Support Provided By
The Becca Kopf Memorial Circle of Friends
WFMT Radio Network & Chicago History Museum

This site is being managed by WFMT in partnership with the Chicago History Museum.

Library of Congress

In-kind digitization services of the Studs Terkel Radio Archive are provided by the Library of Congress.

National Endowment for the Humanities

The Studs Terkel Radio Archive has been made possible in part by a major grant from the National Endowment for the Humanities: Exploring the human endeavor.

Studs Terkel Radio Archive

All Programs About The Archive About Studs Supporters Contact

©2026 WFMT Radio Network | Site by Jell Creative

Any views, findings, conclusions, or recommendations expressed in this web resource do not necessarily represent those of the National Endowment for the Humanities.