In his book, "Additional Dialogue: Letters of Dalton Trumbo, 1942-1962," Dalton Trumbo gives his audience a better understanding of why he was believed to have been warty, abrasive and stubborn. Trumbo believed people have the right to silence and they have the right to speak. He was angered when a book review was written about one book but another author's book was ignored. Trumbo spent time in prison where he was not allowed to write anything negative about the living conditions.

Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. Resuming the conversation with regards to his book, "Additional Dialogue: Letters of Dalton Trumbo, 1942-1962," Dalton Trumbo now talks about his time after being in prison for 10 months.

Being discovered by Charlie Chaplin, Claire Bloom always felt like the luckiest actress around. Bloom's favorite roles were Nora in a "Doll's House" and Hedda in "Hedda Gabler". Mary Tyrone of "Long Day's Journey Into Night" is a part Bloom would like to play in the future.

Studs interviews Christopher Durang, playwright, about his plays. "A History of the American Film" is the highlight of the interview, which is playing at the Heron Theater in Chicago. Durang describes parts of the play and it's characters. He explains that it portrays the different eras and famous moments of movies and references real actors and actresses. Durang reads several times from the play, but all musical numbers are removed from this edited version of the original recording.

Charles Dance, English actor, talks about his work in the British TV show "The Jewel in the Crown," based on the novel series, "The Raj Quartet," by Paul Scott. Dance also discusses his work on the play, "Thunder Rock" and film, "Plenty," and the TV shows, "The Secret Servant," and "Rainy Day Women."

Interviewing Cesare Zavattini while Studs was in Italy. Carlo Baldi translates. This is the second half of the interview that starts with Nervi and Nicoletti.

Julia Reichert, Sylvia Woods, and Stella Nowicki discuss their documentary film "Union Maids" and the tradition of unions in the United States.

Truth be told, Carol Langer was doing research for another film when she stumbled upon the silent enemy in Ottawa, IL, and then as a result, she made the film "Radium City". Back in the 1920's, young women had jobs to paint clock dials with radium-dipped brushes. The interview includes personal narratives and accounts from the film.

In this interview Carol Channing discusses her work as artist: comedic timing; live/club performing; her connection with the audience as a performer; theater as a "spiritual world"; the concept of "opening nights"; creation of Mehitabel's (alley cat) voice; "Lorelei", and her ability deliver comedic characterizations and impersonations (such as Marlene Dietrich, Sophie Tucker, and Cecilia Sisson). Included in this interview are excerpts from the "Little Girl from Little Rock", "Madeline and Other Bemelmans", "Shinbone Alley".

This interview features singer and actress Carol Channing which discusses: the film "Shinbone Alley"; production of "Lorelei"; her grandmother; and her career. It begins with a musical excerpt from the animated movie "Shinbone Alley" featuring Channing singing as the alley cat Mehitabel. It also includes excerpts from the Broadway production called "Lorelei", examples of her character acting/comedy (as Cecilia Sisson), her reading of "Madeline and other Bemelmans", and a portion of the song "So Long Dearie" from the play "Hello, Dolly!".

Carlotta Monti discusses W.C. Fields and her book "W.C. Fields & Me".

Discussing the film "Silkwood" a movie about Karen Silkwood and the circumstances surrounding her death with movie producer Buzz Hirsch.

Silent film pioneer Buster Keaton discusses his career following the release of "When Comedy Was King," a compilation of some classic shorts by Keaton, Charlie Chaplin, Harold Lloyd, and others. Keaton reveals how they shot the early silent films, generated material and gags, how they planned big chase scenes, the resurging European interest in silent classics, and more. Studs asks Keaton about the stylistic differences between him and Chaplin, whether he would recreate silent films, and how they compare to today's film-making.

Burl Ives, actor and singer, discusses his life including childhood, schooling, early career, married life and some of his most popular songs. Ives also talks about his books and writing.

Burl Ives was born in Jasper County, IL and he attended Eastern Illinois State Teachers College. While in college, he played some football and then he wanted to become a football coach. Ives spent time in Terre Haute, IN, where he played records and sang songs on the radio. To be a great singer, Ives said he knew he had to add dramatization to certain songs.