The American novelist, journalist, and college professor discusses his latest, Children of Light. Studs also asks him about his other works, A Flag For Sunrise, and Dog Soldiers.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The American actress and comedian gives some insight into how she develops her vivid characters, and how her colleagues help bring them to the stage and screen. Four of Tomlin's comic pieces are included in the interview.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The African American writer, composer, film director, and photographer - described by Studs as a quadruple threat - joins the program to discuss his wide-ranging career and most recent film - Leadbelly - about the blues singer Huddie Ledbetter (AKA Lead Belly).*Please note: some sections have been edited out from the original recording due to copyright considerations 

The film critics - and married couple - offer their opinions on various films, covering stereotypical depictions of women and the modern trend of dumbing-down plots and characters. An excerpt of an interview with Buster Keaton is included.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The Chicago filmmaker, who later found fame as the director of The Fugitive, joins the program to talk with Studs about his debut feature, Stony Island, a story of an up-and-coming R&B band on Chicago's South Side.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The star of stage and screen joins Studs to talk about his portrayal of Paul Robeson at The Studebaker Theater.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The African American film scholar discusses the history of American musical films, especially during the Depression and into the 1950's.*Please note: some sections have been edited out from the original recording due to copyright considerations

The essayist and biographer discusses her book, Mabel: Hollywood's First I-Don't-Care Girl, and how she attempted to separate the myth from the reality of the life of Hollywood actress, director, and screenwriter Mabel Normand.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The lawyer, producer, and filmmaker joins Studs to discuss his documentary about Kansas City jazz musicians - The Last of the Blue Devils. Included are audio clips of Big Joe Turner, Count Basie, Lester Young, Paul Quinichette, and Jay McShann, all taken from the film.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The author and film critic discusses her book, Eye on the World: Conversations with International Filmmakers.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The biographer discusses the early life of comedian Groucho Marx, his stage career, his brothers, and their mother/manager, all further described in the book, Hello, I Must be Going: Groucho & His Friends.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The American film critic talks about how she attempts, through her writing, to evoke the feelings she experiences while watching movies. Studs asks about her latest collection, When the Lights Go Down: Film Writings, 1975-1980.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The influence of the WPA on the music of the 1930's. The heroic sounds heard in song, movies, and theater. He provides Bing Crosby's version of Yip Harburg's "Brother Can You Spare a Dime". As well as the Almanac Singers performing "Roll the Union On". Both Moll's Song and the final scene of Blitzstein's, "The Cradle Will Rock" are performed. Terkel provides a host of other songs which highlight the music of the 1930's. Extensive discussion on "The Cradle Will Rock" with its producer John Houseman.

Studs Terkel reintroduces this 1958 broadcast with Jacques Tati in a 1992 rebroadcast. At 39:06, Terkel includes a musical epilogue to the conversation with Jacques Tati with French children's songs such as "Cadet Rousselle". Tati discusses his films "Mr. Hulot's Holiday" and" Mon Oncle" and his emphasis as writer, director, actor, and producer to maintain a naturalness. He doesn't want lights, cameras or action to influence the actors. Naturalness will respect independence and keeping it simple and real will create pride and invite people in.

Studs Terkel and Richard Lester discuss the impact of "How I Won the War" on both audiences and critics. Insight is offered on the unjustness of even just wars like World War Two. The film offers insight into the mindless acceptance of death. Terkel then closes the show with his impressions of London during his stay that includes a mention of race, culture, nightlife, and sports.