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Jonathan Miller reminisces about his childhood in Regent Park, London and offers his opinion on philosophy and the changing English class structure with the loss of the Indian empire. His remake of "Alice in Wonderland" for BBC 1 is reviewed and he states he is most interested in the human imagination.
Robert Morley, stage and screen actor, starring in Ustinov's "Halfway Up the Tree," discusses education, technology and youth and the changes in the social makeup because of technology.
Maroussia Frank analyzes Paul Scofield's performance as King Lear in the theater production as well as life in a theater company and her experiences as a member and a wife of a member.
Joyce Grenfell discusses her career (and includes portion of interview with Clancy Sigal, which starts around 39:08).
Ivy Compton-Burnett continues the discussion of class structure in England. Ms. Compton-Burnett states that she has never been a actor but she had always been an observer, to which Studs agrees that her writing reflect her statement accurately. He ends the interview by telling Ms. Compton-Burnett that she is a true original and that he greatly admires her individuality. Interview ends at 13:00. (part 2) Studs then begins an interview with Peter Hall at Aldwych theater office London, England. Mr.
Arnold Wesker, English playwright and writer in several genres discusses scenes from the play "Roots". Mr Wesker further discusses his plays and the current cast traveling around England performing several of his plays. The interview tape ends and Studs recalls the remainder of the interview alone as a postscript.
Part Two of this engrossing interview sees Spinetti elaborate on characters from Joan Littlewood's production of "Oh, What A Lovely War!" in England. Includes a reading of "The English Seaside in High Summer" and an a capella performance of the musical's Act I closer, "Good-bye-ee!", both by Spinetti.
English actor, director and writer Victor Spinelli discusses several aspects of Joan Littlewood's production of "Oh, What A Lovely War!", including the origin of the songs, slides and quotations used in the musical. The two also discuss the World War War I, blind patriotism and what an Italian drill sergeant might sound like. Includes as a reading of "Watchers Along the Mall" by Spinetti.