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American jazz cornet player Wild Bill Davison known for his wild ways, discusses his career in jazz music and life in Chicago. Davison rubbed elbows with all the Chicago bigwigs from Al Capone to jazz legends such as Fats Waller.
Studs Terkel presents a “musical portrait” of Steve Goodman with the musician joining him in the studio to discuss, listen to, and play songs from his album “Words We Can Dance To.” Goodman begins by performing the blues song “Glory of Love,” and Terkel plays a clip from Big Bill Broonzy’s rendition of the song; Goodman cites Big Bill as one of his many influences. Goodman also plays an old jazz song called “When the Red, Red Robin,” with Terkel connecting that song to his first memories of jazz.
Bandleader, jazz musicologist and composer James Dapogny discusses his work in reviving the sound and art of jazz. Dapogny's work is mainly associated with his group James Dapogny's Chicago Jazz Band and his career in publishing lost works of Ferdinand "Jelly Roll" Morton.
Interviewing editor and Chicago Tribune jazz critic Jack Fuller.
Studs interviews Jabbo Smith and presents some of his musical performances. The musical pieces are removed from this edited version of the original recording. Smith shares the story of his childhood in the Jenkins Orphanage and how he came to learn music there. He discusses the songs he wrote and people he played with throughout his career and how he came out of retirement in Holland on the trombone.
Gertrude Abercrombie discusses the overlap between her artwork and Chicago jazz scene.
Bob Koester, record producer and owner of Delmark Records, the United State's oldest independent jazz and blues label, talks about jazz, blues, and bebop musicians.