Ms. Anthony, the grand-niece of Susan B. Anthony, comments on the women's liberation movement, her personal political life and her view of Christian life.

Studs discusses McCarthyism with investigative journalist Fred J. Cook. The recording opens with an excerpt from a speech by U.S. Senator Joseph McCarthy. Cook then reads from his recent book "The Nightmare Decade: The Life and Times of Senator Joe McCarthy" (Random House, 1971). Studs and Cook discuss the history, consequences of Senator McCarthy's relentless pursuit of suspected communists and communist sympathizers in the United States throughout his term in office (1953-1955). They also discuss the possibilities for similar campaigns to emerge during the 1970s.

Robert Vaughn takes time out from his Drury Lane appearance in "Tender Trap" to discuss his new book "Only Victims" with Studs Terkel. The discussion spans the years 1938 when Martin Dies became the first House Committee on Unamerican Activities (HUAC) chairman to Vice President Spiro Agnew's condemnation of the "New York Times" and "Washington Post". Vaughn created the title of his book "Only Victims" from a Dalton Trumbo speech that reflected back on the era of HUAC as being one where there were no heroes, no villains, only victims.

Historians and exhibit organizers Rob Okun, Richard Fried, and Peter Novick discuss the Spertus Museum’s exhibit “Unknown Secrets: Art and the Rosenberg Era.” Julius and Ethel Rosenberg were both convicted and executed in 1953 for participating in spy activity for the Soviet Union. Okun, Fried, and Novick discuss the Rosenberg case and the subsequent response from the public after the execution, many of whom felt the Rosenbergs were wrongfully convicted. The art in this exhibit captures the passion surrounding this case.

This interview contains two parts. The first focuses on writer and John Henry Faulk biographer, Michael Burton, in which Burton discusses John Henry Faulk’s life as an American storyteller as well as his book entitled “John Henry Faulk: The Making of a Liberated Mind.” Burton makes mention of how the Hollywood Blacklist affected Faulk’s career.

Jules Feiffer discusses his book “Jules Feiffer’s America: From Eisenhower to Reagan”, a retrospective that chronicles his years as a social and political cartoonist. Studs and Feiffer read through several of Feiffer’s cartoons featured in this book, working their way through the book in “eras” which are categorized based on the U.S. President of that particular time frame. Studs plays “Sh-Boom” - The Crew Cuts (1954), “Big Bad John” - Jimmy Dean (1961). “Yellow Submarine” - The Beatles (1966), and “Happy Days Are Here Again” - Casa Loma Orchestra.

John Henry Faulk discusses his experience lecturing at so-called knife and fork clubs and colleges across the United States; feelings of fear and powerlessness in America; the value of young people's activism in the United States; and the enlistment of poor men to serve in the Vietnam War. Faulk also speaks as several characters he plays to challenge and comment on the Vietnam War.

Studs interviews David Diamond who is in Chicago for a concert at Thorn Hall. Diamond reflects on his family background and his exposure to diverse theater and movies of a variety of cultures that influenced his music. He explains his training and how he uses emotion and then structure to create his work. Studs and David discuss McCarthyism and its affect on performers and the personal affect it had in Diamond's life. The musical pieces are removed from this edited version of the original recording.

Alabama lawyer Clifford Durr and his wife, civil rights activist Virginia Durr, discuss the Civil Rights Movement, part 3. The Durrs talk about McCarthyism, The New Deal, and the ostracization they experienced as a result of their support of civil rights in the South.

Ronald Steel goes in-depth about his biography of journalist Walter Lippman.