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Terkel delves into the life of Frank Norman, a London ex-con who turned his life around and became a novelist and playwright by writing on his experiences. He wrote "Bang to Rights" shortly after his prison release which brought him great fame. He followed that with "The Monkey Pulled it's Hair" that had a U.S. release under the name "Don't Darling Me Darling". Norman opened up to Terkel discussing his illegitimacy, his illiteracy till age 14, his institutionalization in an orphanage which he turned into the novel "Banana Boy".
Studs Terkel heads to the British town of Stratford-upon-Avon (the birthplace of William Shakespeare) intending to interview Sir John Gielgud, and getting a few words before Studs realizes that Sir John is not intending to be interviewed. He speaks instead to other members of the company. Then he meets Mr. and Mrs. Lawrence in the Falcon Hotel.
Jonathan Miller reminisces about his childhood in Regent Park, London and offers his opinion on philosophy and the changing English class structure with the loss of the Indian empire. His remake of "Alice in Wonderland" for BBC 1 is reviewed and he states he is most interested in the human imagination.
A compilation of interviews recorded in Britain discussing life, culture, and customs in Britain, part 1.
A compilation of Studs Terkel comments about Paris, London, and Rome and about his experiences interviewing in Britain; includes interview in France, part 2.
Discussing the book "Stephen Deutch, Photographer: From Paris to Chicago, 1932-1989" (published by the Tri-Quarterly) with photographer Stephen Deutch.
Secretary General of the British Arts Council Sir Roy Shaw and Studs Terkel discuss making the arts accessible for everyone and how the arts are a benefit to communities. Studs Terkel reads a quote from Kingsley Amos.
Sir George Bolton discusses how the 1929 American stock market crash affected international banking and investment and how economy and culture relate to each other.
Sam Wanamaker talks about the curtain of a stage being a barrier between the set and the audience. Wanaker says that with theater today, there are more theaters in the round and more thrusts of ramps built into the audience, so that the audience can feel they are a part of the production of the play.
Humanitarian and author Sally Trench discusses her book “Bury Me in My Boots,” her work with the homeless communities in England, her journeys, and her belief in self-help with Studs Terkel. Both Trench and Terkel read an excerpt from Trench’s book “Bury Me in My Boots.”
Humanitarian and author Sally Trench discusses her book “Bury Me in My Boots,” her work with the homeless communities in England, her journeys, and her belief in self-help with Studs Terkel. Terkel reads an excerpt from Trench’s book “Bury Me in My Boots.”
Investigative journalist Sally Belfrage discusses her book “Living With War: A Belfast Year.” Belfrage discusses the complexities of the British and Irish relationship in Belfast and how opinions on this subject change from generation to generation. Studs plays Ireland's national anthem “Amhrán na bhFiann / The Soldier’s Song”; a traditional Irish song “The Sash My Father Wore”; and "Four Green Fields" - Tommy Makem and The Clancy Brothers (1969).
Renowned soprano, Madame Rosa Raisa discusses her career, early training, Chicago debuts, travels, teaching, and hobbies post opera.