Werner Burkhardt, German music journalist, critic, and translator, discusses his life and work with Studs. Mr Burkhardt speaks about his life during the time of Adolph Hitler, the Hitler Youth, and World War II. They end the interview talking about Jazz in Munich, a recording of "My Man" by Billie Holiday closes the interview.

Erich Lüth discusses his experiences, observations, and accounts of life in Hamburg, Germany during the rise and fall of Hitler. He recounts how as a member of Parliament he brought in Hitler's, "Mein Kampf" and read portions aloud and was laughed at by his colleagues. He states they were blind to what Hitler declared in his book he would do and some are still blind by wanting to rub out their past, their history.

Friedrich Luft, Chief Drama Critic for Die Welt discusses German theater and Bertolt Brecht as well as new playwrights such as Peter Weiss. Unlike American theaters, Germany has over 200 theaters that are subsidized and each town of 50,000 has a theater. Just like the days of The People's Stage (which still exists) the grocer and cobbler of Germany enjoy the theater. They are as devoted to the theater as going to a museum or church. They are treated to 12 to 16 new or old plays from Sophocles to Sartre or Pinter.

Erich Lüth's discussion with Studs Terkel is similar to part 3 but Luth offers a more in-depth conversation on the role of teachers in schools and how the time of Hitler is taught. There were those teachers that joined the party to continue their love of teaching and those teachers that were brought into the Nazi Party to follow their convictions. This lack of courage to resist influences pupils today because teachers are not saying they were cowards. The relationship is altered out of shame, and embarrassment.

Studs interviews Rolf Liebermann, director and composer, at the Hamburische Staatsoper in Hamburg, Germany. Liebermann explains some history of previous directors and performances. Many artists and operas are mentioned, but only a few were focused on in detail. Liebermann explains details about the operation of the opera highlighting the budget and the functions of the opera house. The recording stops short toward the end of the interview.

Discussing the showing of his films with film maker Marcel Ophuls.

Marcel Marceau, world renown mime, talks about when he performed in prisons in France, Germany, and Chicago, including death row inmates who he could not see. He also discusses moments where he met famous silent actors such as Charlie Chaplin, Harpo Marx, and Stan Laurel. They then discuss childhood and aging. Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.

Joachim Kaiser discusses critiquing German music and how the music scene in Germany has changed. Studs Terkel in Germany.

German critic Joachim Kaiser discusses his life and the theater scene in Germany. Studs Terkel in Germany.

Interviewing Friedrich Luft while Studs was in Germany.

Interviewing Erich Lüth while Studs was in Germany.

Interviewing Dieter Lattman : Studs Terkel in Germany.

Studs interview with Hildegard Knef, actress and writer. They discuss her life in Nazi Germany during the war and her experience as an actress when she came to America. Studs and Hildegard read together from her book, "The Gift Horse." Knef describes her family, Nazi Germany, survival, and her experience as a German in American post WWII. Her husband, David Anthony Palastanga, also reads an excerpt from her book.

Colonel Hamilton Fish III discusses American history. Major topics include The Great Depression, Franklin D. Roosevelt, World War II, and Communism. Fish also reads a personal letter sent to him from Martin Dies, Jr. Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.

One's conscience, morals and religion are all apart of Gordon Zahn's book, "In Solitary Witness: The Life and Death of Franz Jagerstatter". Zahn talks about who Jagerstatter was and what made him decide to say "No" to Hitler's army. Jagerstatter chose to lay with the community of saints rather than kill Jewish people.