Author-journalist Mike Royko's book, "I May Be Wrong, but I Doubt It" includes 65-70 of Royko's past articles. Royko talks about how his columns come to life. Never having been one to sit in an office, he talks about going out into the world to get the story and to report the facts. Royko includes a funny tale about the word, "clout," in his book.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Mike Forrest, Beulah Garrick, and Donald Moffat discuss and read the writings of Welsh poet Dylan Thomas. Forrest, Garrick, and Moffat are all cast members of "The Hostage," a play by Brendan Behan.

Micheál Mac Liammóir, actor and playwright, discusses his upcoming performance based on the writings of Irish playwright and poet Oscar Wilde.

Michael Rosenberg Meeropol discusses his book, ""We Are Your Sons: The Legacy of Ethel and Julius Rosenberg," and talks about his life growing up in the shadow of the execution of his parents. He recalls his memories leading up to their arrest and trial and the legal battle for him and his brother, Robert, to be adopted. He also talks about growing up ashamed of his last name, but eventually coming to terms with his identity and starting the fight for his parents' exoneration.

Michael J. Arlen discusses his book Thirty Seconds, published in 1980. He goes on to discuss the advertising agencies and the work that goes into a television commercial. Rebroadcast.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Michael Frayn reads from his book "At Bay in Gear Street" and how he approaches writing. Oliver Howes, a livery driver, talks about music, his middle class background, and his work;part 1.

Discussing the book "The Broken Cord" (published by Harper & Row) with the author Michael Dorris.

Michael Dorris' book, "A Yellow Raft in Blue Water," is about 3 Native American women: Rayna, Christine and Ida. Dorris said when he started to write the book, he didn't know where it would end up. He further explained that Rayna was originally Raymond but that Dorris liked the character better as a woman.

This interview contains two parts. The first focuses on writer and John Henry Faulk biographer, Michael Burton, in which Burton discusses John Henry Faulk’s life as an American storyteller as well as his book entitled “John Henry Faulk: The Making of a Liberated Mind.” Burton makes mention of how the Hollywood Blacklist affected Faulk’s career.

Three distinguished Chicago poets — Michael Anania, Ralph Mills, and Lisel Mueller — read selections of their work and discuss the art and rhythm of poetry, influences and inspiration, and the power of memory. Includes a recording of Gwendolyn Brooks reading her poem, "The Rites for Cousin Vit."

Poet and editor Michael Anania discusses his poetry collection, “The Color of Dust” and reads selected works from the collection. Anania discusses Midwest history and geography and his own Nebraska roots as influences on the work and its themes of love, war, and social issues. Episode includes relevant music and theatrical recordings, including “Immortality” read by William Jennings Bryan, “Rake and Rambling Boy,” Jefferson Airplane’s “Somebody to Love,” “Dust Bowl Refugee” by Woody Guthrie, and “The Battle Hymn of the Republic.”

Poet and editor Michael Anania discusses his poetry collection, “Riversongs” and reads selected works from the collection. Anania discusses the themes of place, transience, and permanence in the Midwest. Episode includes relevant music recordings, including a number of unidentified instrumental recordings and songs by Woody Guthrie, Los Jaivas, and Joni Mitchell.

Michael Anania discusses and reads his from his books of poetry called "The Red Menace" and "The Sky At Ashland". Anania also discusses his life and inspirations. Includes a clip of children speaking about the world and war. Includes a clip of a jazz song called "Lester Leap In" by Count Basie at the end of the program.

Meridel Le Sueur discusses the publication of her selected works and her life as an activist, fighting for socialist ideals and women's rights. She goes on to discuss the time she spent with Native American Navajo tribes and their theory of nonlinear time.*Please note: some sections have been edited out from the original recording due to copyright considerations