The novelist joins Studs to discuss money, art, and power - among the many themes explored in his book, Someone Else's Money.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The cartoonist and author talks about his latest work, Tantrum, which Studs describes as a novel-in-cartoon-form. The oddly-compelling story of a respectable business man who regresses to toddler-like behavior can be seen as an early example of a graphic novel.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Author Calvin Trillin discusses the world of professional writing and his novel, Floater. Both Trillin and Studs read excerpts from the book.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The American editor, journalist, and novelist talks with Studs about his Civil War novel, Unto This Hour, and how he did not set out to romanticize the war, but to show that war does not always lead to glory, despite the bravery of the fighting soldiers.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Power, the misuse of power, and the hollowness of one's heart and soul are the main themes covered by Helene Rozenberg in her adult courses on the plays of William Shakespeare.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Studs asks the actor how he researched and prepared for his portrayal of Edgar Allan Poe at Chicago's Theatre Building.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Interviewing writer and editor Sylvia Kronstadt.

In Susan Brownmiller's book, "Against Our Will: Men, Women and Rape," Brownmiller shows her audience how and why rape is a crime of one's mind and not one of passion. According to Brownmiller, rape is man's dominance over a woman.

Ms. Anthony, the grand-niece of Susan B. Anthony, comments on the women's liberation movement, her personal political life and her view of Christian life.

Studs Terkel and Tom Wolfe discuss Wolfe's first collection of essays, "The Kandy-Kolored Tangerine-Flake Streamline Baby". Terkel and Wolfe begin their conversation by listening to and discussing an excerpt from an interview with a young motorcycle enthusiast named Chuck. Topics of conversation include Wolfe's writing process and personal history, the generation gap, class and income disparity, motorcycle culture, Las Vegas, and stock car racing.

Studs and Tom Wolfe discuss Wolfe's first collection of essays, "The Kandy-Kolored Tangerine-Flake Streamline Baby". Terkel and Wolfe begin their conversation by listening to and discussing an excerpt from an interview with a young motorcycle enthusiast named Chuck. Topics of conversation include Wolfe's writing process and personal history, the generation gap, class and income disparity, motorcycle culture, Las Vegas, and stock car racing.

Sandra Cisneros recounts the creation of her works from her new release "Woman Hollering Creek and Other Stories" as well as "House on Mango Street". The following have been removed due to copyright restrictions: "Eleven", "Mexican Movies", "Eyes of Zapata", "Bien Pretty" and "One Holy Night". From "House on Mango Street" she reads "A Smart Cookie", "Hips", "My Name", and "Mi Tocayo," "Those Who Don't."

Kenneth Allsop, literary critic for the Daily Mail, BBC host of Tonight and author of "The Bootleggers and Their Era" sits down with Studs Terkel to discuss everything from the Social Realism of Arnold Wesker, Allen Sillitoe, and Shelagh Delaney known as the Backstreet Kids to the class warfare of "The Fourth of July" author David Benedictus. The two key groups of theater, the Royal Court led by George Devine and the Theater Workshop led by Joan Littlewood is also discussed.

Discussing the book "Creation" with the author Gore Vidal.

Studs Terkel and Jerzy Kosinski express their own views on the morality of protagonist George Levanter from Blind Date. Terkel sees him as a vigilante whereas Kosinski sees him as a responsible social reformer. Kosinski states that ethics are viewed differently by Europeans based upon their history of invasions and betrayal which lends itself to an individual code of ethics as exemplified by George Levanter.