Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. Verna Bloom continues to talk about how scared she was when being arrested. Bloom said she was hand-cuffed for an hour. One of Bloom's friends was able to smooth things over with the police and she was finally released.

The day after being arrested in Chicago, Verna Bloom talks about the outrage and humiliation she felt. In great detail, she describes what led up to her arrest. Bloom contends she was doing nothing other than enjoying the nice weather when a police officer arrested her.

Tallulah Bankhead thought she would become an aerialist when she grew up. At 16, after she saw some plays, Bankhead decided to go into acting. Bankhead never received any formal training and yet some experts in the theatre world called her “a natural”. In a surprise revelation, Bankhead said she does not attend the theatre as an audience member. She went on to say she likes to read books, watch television, and she loves her San Francisco Giants.

Part Two of this engrossing interview sees Spinetti elaborate on characters from Joan Littlewood's production of "Oh, What A Lovely War!" in England. Includes a reading of "The English Seaside in High Summer" and an a capella performance of the musical's Act I closer, "Good-bye-ee!", both by Spinetti.

English actor, director and writer Victor Spinelli discusses several aspects of Joan Littlewood's production of "Oh, What A Lovely War!", including the origin of the songs, slides and quotations used in the musical. The two also discuss the World War War I, blind patriotism and what an Italian drill sergeant might sound like. Includes as a reading of "Watchers Along the Mall" by Spinetti.

Actor and director Sam Wanamaker died in December of 1993. In an interview in 1980, he discussed his love of Shakespeare's plays. Wanamaker's mission in life was to recreate, reconstruct and revive The Globe Theatre as it was in Shakespeare's days.

While waiting to see Yves Montand, Studs speaks with a taxi driver through an interpreter, Michelle [Viande?]. Also speaks to Yves Montand.

Studs sits down with David Montefiore, Stuart Rosenberg, Diane Cypkin, Mary Soreanu, Renee Solomon, Stewart Figa, and Shifee Lovitt to discuss their Chicago Yiddish Theater Project staging of The Jewish Gypsy at the Centre East in Skokie.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The multi-dimensional artist joins Studs for a wide-ranging conversation about current world affairs, music, theater, and his family's Russian, French, and German roots.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The actors discuss their roles in two Athol Fugard plays at Chicago's Wisdom Bridge Theatre - The Island and Sizwe Banzi is Dead. This program includes a clip from an interview with South African activist and educator Dennis Brutus.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The famed French actress, singer, screenwriter, and director discusses her film, L'Adolescente (The Adolescent), about a young girl's coming-of-age in the French countryside before the start of World War II.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The co-creator and star of the British drama series Upstairs, Downstairs joins Studs to talk about her role as Viola in Shakepeare's Twelfth Night at the Academy Festival Theatre. They are joined by Ellis Rabb, who plays Malvolio.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The cast members of Brian Friel's play, Translations, join Studs to discuss its main themes - language, Irish history, and politics - and to perform some dramatic readings.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The playwright, director, and the founder of the Black Ensemble Theater returns to the studio to discuss her updated production of the Tennessee Williams play, A Streetcar Named Desire.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Studs talks with the lead actor and director of The Eleventh Street Theater's stage production of Kaufman and Hart's musical, I'd Rather Be Right. Farrell offers some dramatic readings from his role as President Franklin D. Roosevelt. This program also includes clips of FDR himself speaking.*Please note: some sections have been edited out from the original recording due to copyright considerations