Discussing the play "A solo song for Doc" by James Allan MacPherson and interviewing cast members of City Lit, Joseph Moore, Chuck Smith and Ernest Perry.

Discussing the Goodman School of Drama at DePaul with members, Bella Itkin and Joe Slowik.

Discussing the play "Da" with Barnard Hughes.

Discussing Samuel Beckett's "Waiting for Godot" and the Beckett Project with director Alan Schneider.

Through an interpreter, Madame Ida Kaminska discusses her role in the film "The Shop on Main Street." Both her mother and father were actors, too. Madame Kaminska explains she comes from a family of actors from 100 years ago.

Horton Foote, playwright and screenwriter, and Studs Terkel analyze storylines, conflicts, and characters in Horton’s play "The Young Man From Atlanta." Horton also discusses his earlier work and events that led him to where he is in his career.

Studs Terkel and actor Hiram Sherman discuss Sherman’s upcoming play “Mary, Mary,” the Actors’ Equity Association, and what it is like to be an actor.

Studs Terkel and actor Hiram Sherman discuss Sherman’s upcoming play “Mary, Mary,” the Actors’ Equity Association, and what it is like to be an actor.

Studs Terkel speaks with actor Hiram Sherman about Sherman’s play “A Flea in Her Ear,” winning awards, and the differences between American theater and European theater.

Studs interview with Hildegard Knef, actress and writer. They discuss her life in Nazi Germany during the war and her experience as an actress when she came to America. Studs and Hildegard read together from her book, "The Gift Horse." Knef describes her family, Nazi Germany, survival, and her experience as a German in American post WWII. Her husband, David Anthony Palastanga, also reads an excerpt from her book.

According to Henry Kneplers book, " The Gilded Stage," back in the 1600's, highly regarded women were either actresses on the stage or they were aristocrats or nobility. Knepler said the role of primary grade school teachers were women. Currently, there's some discrimination going on, as Knepler pointed out that one never sees a male airline stewardess.

Henry Fonda and John Houseman talk about working with one another on "Clarence Darrow: A One-Man Play". Houseman is in awe of Fonda's portrayal of Clarence Darrow, explaining that in the play, the audience can really see the growth of Clarence Darrow, from a young lawyer to an experienced, wise one. Fonda talks about the opening scene when Darrow recalls his father talking to him when he was a young boy. Fonda reflects on times when his father talked to him. Fonda recalls being taught not to hate individuals.

Austrian actress Helene Thimig-Reinhardt discusses her origins and reflects on a long acting career. As the widow of Max Reinhardt, much of the discussion touches on his work as a theater director, film director, and impresario. 00:50:30- 00:52:29 "Ich Muss Wieder Einmal in Grinzing Sein" by Lotte Lehmann

*Please note: some sections have been edited out from the original recording due to copyright considerations