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Interviewing William Ferris, contemporary composer and conductor, and John Vorrasi, lead tenor, as they discuss the beginning and successes of their group called the William Ferris Chorale.
Terkel comments and presents 1968 Democratic Convention documentary. He is introduced by William F. Malloch, a composer at the Convention.
Sol Hurok discusses his work as an impresario, organizing events and bringing artists from around the world to the United States to perform. Studs Terkel plays songs by many of the artists and performers that Hurok has managed during the interview, including Feodor Chaliapin, Nellie Melba, Titta Ruffo, Luisa Tetrazzini, Sviatoslav Richter, Marian Anderson, and Arthur Rubinstein. Music has been removed from this version for copyright reasons.
Skip Kennon wrote the music for "Herringbone", a one-man musical where all ten parts are played by the actor David Rounds. Madness, depression and schizophrenia are discussed as possible themes of the play.
Studs engages the former Chicago Symphony Orchestra conductor, Sir Georg Solti, in a wide-ranging conversation about his life and career. From his early studies in Budapest with Béla Bartók, his string of good-luck opportunities before, during, and after World War II, meeting Toscanini in Lucerne, and starting on top conducting in Frankfurt, London, and finally Chicago. He discusses his many German and European musical influences and contemporaries, and stresses the importance of education, arts funding, and hard work.
Known for their songs about the working class, both Florence Reece and Pete Seeger talk about how they come about writing the lyrics to songs. Seeger says unbeknownst to them, anyone can write a song. Included within this interview, Seeger plays the banjo and Reece sings a song.
Studs Terkel and Tcherepnin discuss Tcherepnin's early years in Leningrad, his creative drive and its relation to real-life experiences and the influence of Chicago on his 1953 Op. 87 Suite for Orchestra.
While their works and forte is classical music, Roger Detmer and Virgil Thomson talk about tape and electronic music. Detmer points out that in some eastern European countries, tape is considered pasee, and yet it's used often to recreate a sound to be used with their orchestras. Both men talk about electronic music and how it's sometimes used to make hand-made music sound artificial.
A master at playing the sitar, Ravi Shankar, also composed the music for the soundtrack of "Gandi". According to Shankar, there are 72 scales in Indian music and when he plays music, 90% of it is improvisation. Younger people became interested in playing the instrument after Shankar announced he was teaching George Harrison of the Beatles how to play the sitar. There is an excerpt of an interview with Shankar from 22 years ago, to the date of this program.
Presenting music and discussing the tuba with tubists Arnold Jacobs, Harvey Phillips, Fritz Kaenzig, and Richard Frazier. This mixdown includes recorded and live music in the last three minutes.
Peter Schickele, the man behind the pseudonymous musical persona P.D.Q. Bach, gives a lecture on the oft-forgotten composer and sibling of Johann Sebastian Bach, playing and discussing a number of works by the fictitious composer.
Merce Cunningham, choreographer and John Cage musician and composer speak about music and dance. The two gentlemen discuss with Studs how music and dance come together to create the avant-garde of art in both worlds (music and dance).
Margie Adam, singer, songwriter, pianist and activist discusses her latest album (1980) Naked Keys which features her solo piano music.
Margie Adam, musician, activist, and composer, discusses how events such as the women's movement and the lesbian-feminist movement inspired her to create music for her new album, Another Place. The album reflects on Adams's life and on topics such as her sexuality.