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Studs Terkel reintroduces this 1958 broadcast with Jacques Tati in a 1992 rebroadcast. At 39:06, Terkel includes a musical epilogue to the conversation with Jacques Tati with French children's songs such as "Cadet Rousselle". Tati discusses his films "Mr. Hulot's Holiday" and" Mon Oncle" and his emphasis as writer, director, actor, and producer to maintain a naturalness. He doesn't want lights, cameras or action to influence the actors. Naturalness will respect independence and keeping it simple and real will create pride and invite people in.
A compilation of Studs Terkel comments about Paris, London, and Rome and about his experiences interviewing in Britain; includes interview in France, part 2.
Studs Terkel interviews writer and artist Simone de Beauvoir at her home in Paris, France, where they discuss her family history, early writing career and artistic influences, individualism, and the creative commitment required to be a successful writer.
Studs speaks to actress Peggy Nelson, playwright Arnaud d'Usseau, and student Olivier Bernier while he is in France. [Part 2 includes Yves Montand.]
Madame B. translates for Studs as he speaks with two inmates. Both inmates work in the prison one as a cook and the other as a librarian. Studs talks to each of the inmates about their early life, their work in the prison and their rehabilitation. Madame B is interviewed after the visit to the prison, and she speaks about her volunteer work at the prison. Following the interview, there is a postscript in which Madame B. records "notes" for Nelson Algren and Herman and Mrs. Kogan. Once he is on his own, Studs explains that Madame B.
Studs tours the prison and speaks with prison director Jean Blayrat and a lady referred to as Madame B translates. They talk about the crimes of the a few of the prisoners and the rehabilitation programs the prison system uses in France.
French actor and mime Marcel Marceau discusses the art of pantomime and many of his performances including "The Overcoat" by Gogol and "The Mask Maker". Marceau also discusses the history of pantomime, his inspirations, and how he came to be a mime.
Marcel Marceau, world renown mime, talks about when he performed in prisons in France, Germany, and Chicago, including death row inmates who he could not see. He also discusses moments where he met famous silent actors such as Charlie Chaplin, Harpo Marx, and Stan Laurel. They then discuss childhood and aging. Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.
Marcel Marceau, world renown mine, discusses the art and history of pantomime. Marceau talks about mime throughout history from Ancient Rome to the 20th century. He discusses some well-known mimes such as Pierrot and Charlie Chaplin. From aging, to humor and tragedy, and different cultures, Marceau explores about how the art of mime affects and reflects society. They also discuss how Marceau created and plays Bip and how the audience interacts with his character.
When asked, Jen Kruuse said he wrote his book, “A War for an Afternoon,” as a result of life being madness. As a morale booster, to make the men of the SS army feel invincible, they were ordered to exterminate the town of Oradour-sur-Glane, France. The women and children of the town were rounded up, placed in the town’s church and the church was burned. All the men of the town were shot dead. The entire incident, explained Kruuse, was madness, pure madness.
French actor and director Jean Vilar discusses French Theater and the Théâtre National Populaire.