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Werner Burkhardt, German music journalist, critic, and translator, discusses his life and work with Studs. Mr Burkhardt speaks about his life during the time of Adolph Hitler, the Hitler Youth, and World War II. They end the interview talking about Jazz in Munich, a recording of "My Man" by Billie Holiday closes the interview.
Don DeMichael, editor-in-chief of DownBeat, has brought a collection of jazz duets and critiques and evaluates the songs with Studs Terkel.
Studs Terkel and William (Bill) Leonard share memories of the Blue Note Jazz Club as a tribute to Frank Holzfeind. Music is played throughout the episode: "After You've Gone" by the Benny Goodman Sextet, "The Flat Feet Floogie" by Slim and Slam, "How High the Moon" by Sarah Vaughan, "Destination K.C." by Count Basie, "West End Blues" by Louis Armstrong, "Lil' Augie Is A Natural One Man" by Chet Roble, and "Rock Skippin' at the Blue Note", Duke Ellington. Songs have been removed for copyright reasons.
Interviewing Ralph Gleason while Studs was in Berkeley, California (3 parts). Bob Dylan and Joan Baez sings "Daddy, You Been on My Mind." Elsa Knight Thompson.
In Berkeley, Calif., Ralph Gleason, jazz and pop critic, and founding editor of Rolling Stone, talks with Studs about the history of jazz and jazz artists. They talk in depth about Billie Holiday, white performers who imitated the style of black jazz singers, and jazz festivals. Songs include Holiday's "Them There Eyes" and "God Bless the Child."
Studs interviews jazz and pop critic, and founding editor of "Rolling Stone" magazine, Ralph Gleason while in Berkeley, California (3 parts). Topics include the history of jazz, blues, and jazz culture, and how race played in the development and distribution of the music. Songs include Louis Armstrong's "(I'll Be Glad When You're Dead) You Rascal You."
Studs Terkel and Irwin Silber, a writer and Civil War historian, talk about music from the Civil War and Silber’s book “Songs of the Civil War.” This is the final part of the interview with Silber. A brief interview with Malayan artist Abdullah Ariff follows the Silber interview. Ariff discuss Malayan culture and the artwork he has on display in the United States.
Studs Terkel and Irwin Silber, a writer and Civil War historian, talk about music from the Civil War and Silber’s book “Songs of the Civil War.” This is the first part of the interview with Silber.
Chicago Tribune jazz critic Harriet Choice plays and discusses some favorite records from her own personal collection with Studs Terkel.
Studs interviews Erik Bye about Norwegian immigration to America and his music. They discuss the reasons why people left Norway in the 19th century and the conditions they suffered when they settled in New York. Bye explains Norwegian history and why the Norwegians moved from the American east coast to the west. Studs notes that Bye is in Chicago to gather information to produce a Norwegian television documentary about early Norwegian immigrants. Bye shares his interpretations of some of his songs and explains Norwegian music.
Otto Friedrich discusses his "Time" magazine piece, his writing, and American history. Songs "Yankee Doodle Dandy," "Free America" by Joseph Warren, a German song, an 18th century Boston Tea Party song, and an 18th-century British soldier song have been removed for copyright restrictions.
Studs interviews Chicago Tribune reporter turned opera composer, Dan Tucker. He discusses how his music was inspired by poets Federico García Lorca and William Shakespeare and authors Peter S. Beagle and Christopher Fry. Sasha Gerritson, soprano and founder of the L'Opera Piccola opera troupe, David Laub, bass baritone, and David Richards, L'Opera Piccola music director and pianist are in studio and talk about their work and thoughts on the opera songs.